Film Review: Enter the Ninja (1981)

Release Date: October 23rd, 1981
Directed by: Menahem Golan
Written by: Dick Desmond, Mike Stone
Music by: W. Michael Lewis, Laurin Rinder
Cast: Franco Nero, Susan George, Sho Kosugi, Christopher George

Cannon Film Distributors, 101 Minutes

Review:

Enter the Ninja is the first film in Cannon Films’ Ninja Trilogy. While it is still a pretty entertaining motion picture, it isn’t anywhere near as amazing and bad ass as the studios second effort Revenge of the Ninja.

However, this thing stars Franco Nero, the original Django and one of my favorite actors of all-time. That being said, it is still kind of weird to see the heroic white ninja remove his mask only to reveal a mustachioed buff Italian with dreamy eyes. As much as I love Nero, he just felt weirdly out of place as a ninja. Realistically, that’s probably because I really only associate him as a gunslinging spaghetti western bad ass, as that is certainly what he is most famous for. I do still like Nero in this picture, though. I mean, he’s Franco friggin’ Nero!

The villainous black ninja is played by Sho Kosugi, who would go on to be the hero in Revenge of the Ninja, two years later. He has a lot less screen time in this movie and unfortunately, isn’t as exciting as he would be in Revenge.

The other villain, the evil corporatist crime boss of the Philippines is played by Christopher George, known mostly for westerns and b-movies.

Put out by Cannon Films, this is actually directed by one of the studio heads, Menahem Golan of the infamous Golan-Globus duo.

This film’s plot deals with Nero going to the Philippines after completing his ninja training. While there, he meets up with his old war buddy and his hot wife (Susan George) only to find out that they are being bullied into selling their land to the local evil corporatist. As the film rolls on, Nero disrupts the villains plans and protects his friends. The villain than calls on help from the black ninja, a rival from Nero’s ninja school that hates that a white man has learned the sacred art.

Unfortunately, other than the beginning and the end, there isn’t a lot of ninja action. Most of the time, Nero isn’t even in his costume. Plus, the beginning sequence isn’t a real fight, it is Nero’s final test at his ninja school.

The action is still pretty solid but the ninja action isn’t anywhere near the level of the much superior Revenge of the Ninja. Still, this is a bad ass and entertaining flick for people who are into these sort of pictures.

Enter the Ninja could have been a much better film but we got that with its loose sequel.

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