Film Review: ‘The Fly’ Remake Film Series (1986-1989)

This weekend I had some free time, I decided to spend it re-watching the 80s remakes of The Fly film series. While I love the originals, the remakes are much darker, a lot less cheesy (well, mostly) and pretty terrifying. Let me get into each film on its own.

The Fly (1986):

Release Date: August 15th, 1986
Directed by: David Cronenberg
Written by: Charles Edward Pogue, David Cronenberg
Based on: The Fly by George Langelaan
Music by: Howard Shore
Cast: Jeff Goldblum, Geena Davis, John Getz

Brooksfilms, SLM Production Group, 20th Century Fox, 96 Minutes

Review:

“Yeah, I build bodies. I take them apart, and put them back together again.” – Seth Brundle

Let me start by saying that 1986’s The Fly is my favorite Jeff Goldblum film after his small part in Life Aquatic.. and his big roles in the Jurassic Park and Independence Day films. It is also my second favorite film directed by David Cronenberg: Videodrome being the first.

The film succeeds in every way, in that it creates a sense of dread unlike almost anything else seen at the time, other than other Cronenberg films.

Cronenberg was the master of “body horror” – frightening films that toy with the viewers mind by showing disturbing and grotesque changes happening to the human body. He succeeded with this formula in Videodrome, Scanners and The Brood but this film really ups the ante and brings his series of bodily horror films full circle.

The special effects are amazing for being done on a pretty modest budget but then again, this was the magic of practical effects in the 1980s: before studios relied too heavily on CGI, regardless if its quality.

The acting is great and the dynamic between Geena Davis and Jeff Goldblum transcends the screen, which may be due to the fact that they were on the verge of getting married in real life, which they did, after this film. It is this dynamic that really makes this film and Jeff Goldblum owns the role of tragic scientist Seth Brundle.

The story, the action and the whole visual feel of this film makes it nearly perfect. It is a real treat for a special effects junkie and is one of the greatest horror films of its era, if not all-time. There is little to nothing in the modern era’s horror genre that can come close to matching this film.

The Fly II (1989):

Release Date: February 10th, 1989
Directed by: Chris Walas
Written by: Mick Garris, Jim Wheat, Ken Wheat, Frank Darabont
Based on: The Fly by George Langelaan
Music by: Christopher Young
Cast: Eric Stoltz, Daphne Zuniga, Lee Richardson, Harley Cross, John Getz

Brooksfilms, 20th Century Fox, 105 Minutes

Review:

“You can finish your Father’s work. You’re just as brilliant as he was, perhaps even more so.” – Anton Bartok

This film gets a pretty bad rap.

No, it isn’t as good as the film it followed but for the time and as its own thing, it is still pretty good.

Eric Stoltz and Daphne Zuniga might not have had the chemistry of Goldblum and Davis but they had a nice relationship that was believable and they were still characters you cared about it.

Additionally, this film wasn’t just a rehash of the original. There were some new interesting elements that made this stand on its own.

To start, Stoltz was the son of Brundle, who at five-years-old, had grown to the size of someone in their early twenties. He was infected with the fly DNA of his father and was thus, raised in seclusion by the evil corporation that funded his father’s projects in the first film.

One thing leads to another, Stoltz becomes the new fly creature and chaos ensues.

The Fly gets a lot more screen time in this film and the special effects are still pretty outstanding and practical. The scene of the security guard’s face melting off as he screams is still stellar by today’s standards. The creature effects are well done and the horrific look of the final monster in the film is still stomach-churning, 25-plus years later.

The Fly II is not the great film that The Fly is and it fails when compared to it. As its own film, it is still a mark above the standard horror fare of the day, despite the 4.9 on IMdB and the 27 percent on Rotten Tomatoes.

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