Also known as: Renegade Girls
Release Date: April 19th, 1974 (Washington, D.C.)
Directed by: Jonathan Demme
Written by: Jonathan Demme
Music by: John Cale, Mike Bloomfield
Cast: Juanita Brown, Roberta Collins, Erica Gavin, Ella Reid, Rainbeaux Smith, Barbara Steele
New World Pictures, 83 Minutes
“Don’t you realize sex is what put you behind bars in the first place? Stealing to dress better for a man. Fornicating from the back of the pockets of women using pimps. Killing to eliminate a sexual rival. Give me contrition! Let’s have redemption! Repentance! Repentance! A worm’s death to society!” – Supt. McQueen
While the “women in cages” sub-genre of exploitation films weren’t new by the time that Caged Heat came out in 1974, Jonathan Demme did a few things that set this one apart from those before it and thus, made it one of the most memorable pictures of its type.
For one, Demme cast horror icon Barabara Steele as the prison warden, a departure from the oppressor being a man. He also put her in a wheelchair and made her sex deprived.
Demme also added in elements of social consciousness, feminism and liberal politics. These new elements broke the mold and made Caged Heat a more interesting film than all the previous “women in cages” flicks.
Roger Corman initially didn’t want to distribute the film but then Jonathan Demme raised the production money on his own. Impressed, and maybe seeing a bit of himself in Demme’s ability to raise the capital on his own, Corman decided to distribute the film through his company New World Pictures. Before this film, Demme had worked on The Hot Box (another “women in cages” movie) and the biker film Angels Hard as They Come for New World Pictures.
Caged Heat, regardless of its cult success and its refreshing take on an overused exploitation gimmick, is not a good film. It isn’t awful, as the vast majority of “women in cages” movies are far worse, but it certainly doesn’t stand up to the test of time and it is a mess of a story.
Barbara Steele is as alluring as always, even if she is a fascist crippled bookworm. But watching her in this feels like a major step down in her career. Granted, she never reached superstardom but if she had any momentum, this probably snuffed it out. Plus, she was playing like seventh fiddle to a bunch of less talented actresses billed before her. She also didn’t get to do anything too interesting other than her stage performance during a dream sequence.
The other villain of the story is this male doctor who administers therapies that leave women mindless and helpless so he can rape them.
There are three other notable people in this film. The first is Juanita Brown, who was in Foxy Brown, Willie Dynamite and Black Starlet. The second is Roberta Collins who played Matilda the Hun in Death Race 2000 and also starred in other “women in cages” films like The Big Doll House and the appropriately titled Women In Cages. She was also in Tobe Hooper’s Eaten Alive and the 80s teen sex comedy School Spirit. Lastly, there is Rainbeaux Smith who has the Frenchiest spelling of “rainbow” for a first name ever and was also in that awful shit storm of a film Laserblast. She was also in Parasite, Up In Smoke and had an uncredited bit part in Logan’s Run.
The biggest highlight of Caged Heat is the big prison break shootout finale. It isn’t necessarily an impressive action sequence but it was pretty well executed for a first-time director. And being that this was Demme’s first picture, as a director, it set the stage for what would come, as he has made some solid pictures throughout his career.
And while this film is full of boobies and violence, it isn’t as over the top as other pictures like it. It certainly gives you plenty of those things but there’s more to Caged Heat than just tits, ass and violence.