Release Date: December 22nd, 1989
Directed by: Andrei Konchalovsky, Peter MacDonald (uncredited), Albert Magnoli (uncredited), Stuart Baird (uncredited)
Written by: Randy Feldman, Jeffrey Boam (rewrites)
Music by: Harold Faltermeyer
Cast: Sylvester Stallone, Kurt Russell, Jack Palance, Teri Hatcher, Brion James, Geoffrey Lewis, Eddie Bunker, James Hong, Marc Alaimo, Michael J. Pollard, Robert Z’Dar, Lewis Arquette, Roy Brocksmith, Clint Howard
The Guber-Peters Company, Warner Bros., 101 Minutes
“Rambo? Rambo’s a pussy.” – Ray Tango
I used to really like Tango & Cash when I was in fifth and sixth grade. I hadn’t really seen it since then. Having seen it now, though, I can state that this movie did not age well. It probably wasn’t very good, even for 1989 standards, but it is incredibly cheesy and hokey but not in any way that is endearing.
Sure, I love Sylvester Stallone and Kurt Russell but the two of them deserved a better vehicle for a team-up movie. The plot was weak and a big chunk of the movie was spent in prison, where Stallone just escaped from in his previous film, also from 1989, Lock Up. However, Stallone was also entering a bad period for his career, as this film was followed up by Rocky V (most people hate it, I don’t), Oliver and Stop! Or My Mom Will Shoot.
At least we got to see these two in the same film again in 2017 with Guardians of the Galaxy Vol. 2, even though they didn’t share any scenes together. But I did find it strange that Russell was not in any Expendables picture.
The film also gives us the legendary Jack Palance, Brion James (a fantastic 80s villain player), James Hong (most beloved as Lo Pan from Big Trouble In Little China, another Kurt Russell film), Marc Alaimo (another great villain character actor and Gul Dukat from Star Trek: Deep Space Nine), Robert Z’Dar (the Maniac Cop himself), as well as a young Teri Hatcher, the always weird Clint Howard and Michael J. Pollard, a guy I’ve always enjoyed in his small roles.
However, even with all the great people in this film, it is still a total dud. Maybe that has something to do with script rewrites. Maybe it is because this film went through four directors. Yes… four!
Whatever the reasons, Tango & Cash is a film that is much less than the some of its pretty great parts. It is really disappointing, actually. It could have worked, it should have worked but it was a total bust in every way.
Yes, there are some fun moments in the film but nowhere near enough to make this thing worth anyone’s time. It isn’t necessarily horrible but it shows how bad the “buddy cop” formula can be, if everything in the movie misses its mark.
Does it deserve to be run through the Cinespiria Shitometer? I’d say that it does but just barely. So what we have here is a Type 1 stool, which is defined as “Separate hard lumps, like nuts (hard to pass).”