Release Date: April 6th, 1990
Directed by: Robert Resnikoff
Written by: Robert Resnikoff
Music by: Stewart Copeland
Cast: Lou Diamond Phillips, Tracy Griffith, Jeff Kober, Mykel T. Williamson. Elizabeth Arlen
Nelson Entertainment, Interscope, Orion Pictures, 98 Minutes
“See you around, buddy-boy.” – Patrick Channing
I remember seeing this film when I was in sixth grade. I rented it from the video store because kids could do that shit in America back before parent groups ruined our culture and started coddling children into pussies suckling the teat for participation trophies.
I also remember thinking that this movie was cool as hell and it burned Jeff Kober’s face into my mind due to how terrifying and creepy he was in this as the killer. So whenever I see him pop up in things now, like Sons of Anarchy and The Walking Dead, I return to the fond feeling I had for this movie when I was in my first year of middle school.
The film also made me have an even deeper appreciation for Lou Diamond Phillips, a guy I really liked in Stand and Deliver, Young Guns and La Bamba. Nowadays, he’s a guy whose work I absolutely love because of how great he is on Longmire and how much I enjoyed him popping up in The Ranch.
Unfortunately, The First Power is not as good as I remembered it. Give me a break, I was like eleven when I saw it. It is still entertaining and effective though but so many similar films have come and gone that are much better in the genre.
Basically, you have a cop (Phillips) that is in pursuit of a Satanic killer (Kober). He catches the killer and sees him killed in the gas chamber. However, the killer has made some sort of unholy deal and is basically an unstoppable, unkillable force of nature like Jason Voorhees but with more personality and a broader objective.
The cop teams up with a psychic (Griffith) and a nun (Arlen) and they try to stop the killer. In the process, a lot of crazy shit happens and there is a cool scene where the killer rips a ceiling fan down and somehow electrically animates it to use as a shield and to repel our heroes away, as they don’t want to be sawed in half.
The killer’s mask is also pretty cool, even though he doesn’t wear it nearly enough and spends most of his time showing his face or possessing some random person in an effort to surprise the heroes.
I still liked this movie, not having seen it in like twenty-five years, but it wasn’t as dark and insane as I thought it would be. It hasn’t aged well but it also hasn’t aged so poorly that it is a bad film.