Release Date: November 16th, 1977
Directed by: Steven Spielberg
Written by: Steven Spielberg
Music by: John Williams
Cast: Richard Dreyfuss, Teri Garr, Melinda Dillon, François Truffaut, Bob Balaban, Lance Henriksen, Carl Weathers
Columbia Pictures, 135 Minutes, 137 Minutes (Director’s Cut)
“I guess you’ve noticed something a little strange with Dad. It’s okay, though. I’m still Dad.” – Roy Neary
So I went to a special 40th anniversary screening of Close Encounters of the Third Kind and the movie theater really shit the bed, as I couldn’t watch it, they were out of most food and the place was a ghost town other than employees who had no idea what this movie was. I ended up going home to stream it instead.
I hadn’t seen this picture in a really long time but I had fond memories of it as a kid, even though it wasn’t on the level of E.T. and Jaws in the early Spielberg years. The special effects were cool and the use of matte paintings for vast expanses still looks magical and taps into the otherworldlyness of the picture.
However, revisiting it all these years later, it just isn’t something that I have as much love for as Spielberg’s other early works. Looking back, I never rented this movie as much as his other films and I really never thought about it until reflecting on it while watching it. Ultimately, it just doesn’t resonate in the same way or at least not as strongly. Also, compared to his other work, it is fairly dull.
The acting is pretty good and you do care about the characters to an extent but some of the things that happen are either nonsensical or kind of horrible when put into perspective. While it is a cool looking movie about wonder and excitement and the possibility of extraterrestrial life, the main character basically goes crazy, scaring away his wife and kids and then abandons them to go away with the aliens and all the while, we’re supposed to feel his amazement and relish in this man’s opportunity to see the stars. Plus, the aliens abduct a child but that’s cool because he comes back seemingly normal. They must be a truly evolved species, stealing kids and other people and then just throwing them back when it suits them.
You kind of don’t care about these details when you’re a kid but as an adult, the film leaves me with more questions than answers. I’m not just going to accept that they are some space travelling further evolved beings and that they can just do whatever they want. Fuck these aliens, they’re assholes. And we’re America, we don’t trust our neighbor.
And who’s to say that these returned people aren’t implanted with a chip that will make them wipe out humanity so that the aliens can steal our limestone to build an amusement park on their homeworld? Our government doesn’t even like our neighbors from the south moving in and they’re just going to be like, “Aw, fuck it… these guys are cool. Besides, we can’t build a wall around the sky.”
In all seriousness, Close Encounters is a pretty good flick with great effects and yes, it does bring out your inner wonder. However, it doesn’t hold up as well as the other Spielberg classics. That’s okay, though. This was a precursor to E.T. and if making this film helped to make E.T. a better picture, it served a noble purpose. I mean, E.T. is pretty close to perfect.