Film Review: The Red Queen Kills Seven Times (1972)

Also known as: La dama rossa uccide sette volte, lit. The Red Queen Kills Seven Times (Italy), Feast of Flesh, Blood Feast, The Corpse Which Didn’t Want to Die (US alternate titles), Horror House (Germany)
Release Date: August 18th, 1972 (Italy)
Directed by: Emilio Miraglia
Written by: Emilio Miraglia, Fabio Pittorru
Music by: Bruno Nicolai
Cast: Barbara Bouchet, Ugo Pagliai, Marina Malfatti, Sybil Danning

Phoenix Cinematografica, Romano Film, Traian Boeru, 98 Minutes

Review:

Italian giallo pictures were a sort of bridge between film-noir and slasher films. No, they really were. The Red Queen Kills Seven Times is a really good example of what I mean when I point that out.

This film is a murder mystery. These two wealthy sisters from a wealthy family have had a violent sibling rivalry their whole lives. There are parallels between them and the legend of the Black Queen and the Red Queen. The sister who is the modern version of the Black Queen believes that she is responsible for the death of her sister, who is believed to be the new incarnation of the Red Queen. Some time later, murders start to happen that are tied to the Red Queen persona. Did the sister somehow survive? Is the guilt-ridden sister in danger? The entire film is a well written mystery and not all that easy to figure out.

The Red Queen exists as a gimmicky, mysterious killer that wields sharp objects. She is a true slasher while the film itself is constructed like a film-noir.

While this giallo is not directed by Mario Bava or Dario Argento, it is still a giallo picture of the highest quality. This is a tremendously good murder mystery and it encompasses all the things that make a giallo spectacular: great cinematography, an emphasis on vivid colors and high contrast lighting, solid direction, insanely beautiful damsels and a cool unidentified killer.

The Red Queen Kills Seven Times is a beautiful movie. Sure, it has blood and is full of unsavory acts but giallo movies could take the grotesque and turn it into a colorful and alluring cinema landscape. It is gritty, it is pretty and while it can feel fantastical, it doesn’t feel outside of the realm of possible reality.

More like noir and less like slashers, the film surrounds itself in opulence and beauty but that is typical of a giallo picture. Part of why this film works so well as a piece of art is because it is engulfed in lavishness and luxury.

It takes place in beautiful European locales and all the characters are models and involved in the fashion industry. It feels like a peek into high society but shows the underbelly and the hidden darkness that exists, even in the lives of those who are all smiles and diamonds, all the time. But the beauty is there to give contrast to the darkness and the grotesque and it’s how this all comes together that paints this moving canvas.

The Red Queen Kills Seven Times is a fine giallo and one of the best I have seen that wasn’t directed by the maestros Bava and Argento. It also gives us a young Sybil Danning, who no straight man would turn away from.

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