Release Date: October 10th, 1949
Directed by: Jules Dassin
Written by: A. I. Bezzerides
Based on: Thieves’ Market by A. I. Bezzerides
Music by: Alfred Newman
Cast: Richard Conte, Valentina Cortese, Lee J. Cobb, Barbara Lawrence
20th Century Fox, 94 Minutes
“Do you know what it takes to get an apple so you can sink your beautiful teeth in it? You gotta stuff rags up tailpipes, farmers gotta get gypped, you jack up trucks with the back of your neck, universals conk out…” – Nico ‘Nick’ Garcos
Who knew that a film-noir about apples could be so entertaining?
Okay, the film has more going on than just apples but they play a big part, as an angry war veteran wants revenge for what a gangster-like produce tyrant did to his father: robbing him and crippling him.
Jules Dassin is becoming a director whose work I really appreciate after seeing this, as well as Brute Force, Naked City and Night and the City, all film-noir pictures that could be considered classics. I still haven’t seen Rififi but it’s high on my list.
The film stars Richard Conte, an actor I have enjoyed in several films. You also get a solid performance by Lee J. Cobb, who plays the evil and amoral produce king.
All in all, this is a pretty good picture and it had me engaged from start to finish. I didn’t know what to expect but it was a film that was high up on a lot of people’s top film-noir lists. Would it crack my top twenty? Probably not and I’d say that it’s my least favorite of the Dassin noirs I’ve seen but Dassin is still quite accomplished behind the camera and delivered a one-of-a-kind noir tale.
Apparently, Dana Andrews and Victor Mature were both announced as the film’s lead during different points of pre-production. Ultimately, Conte got the role, which I feel was the best choice, even though I like those other guys. Conte made this his role and it’s hard to see the character of Garcos performed differently. The character was very much Conte and while the man has a charismatic coolness and toughness like those other guys, his is a unique kind of cool.
Thieves’ Highway is solid, through and through. There’s nothing here to really disappoint a film-noir aficionado.