I have wanted to read Spider-Gwen for a long time now. I’ve actually owned her action figure for awhile, as I was a big fan of the costume and always loved Gwen Stacy and just the idea of her becoming a Spider-hero was pretty intriguing.
I picked up this volume before reading volume one, as zero is before one but this isn’t an origin story and Gwen is already Spider-Woman. So, until I read volume one after this, I’m not sure if these are numbered chronologically or not.
Anyway, I dig Spider-Gwen a lot.
The story takes place in an alternate universe in the massive Marvel multiverse where each dimension is different in someway. In Spider-Gwen’s universe, she was bit by the radioactive spider instead of Peter Parker. Thus, she inherited all the powers that went to Parker in the universe we are most familiar with. Also, Peter becomes the Lizard but that story isn’t in this volume. Although, this deals with some of the emotional aftereffects of Gwen having to take Peter down.
We also see Matt Murdock, the Daredevil, and Frank Castle, the Punisher. In this dimension, both men are very different. In fact, they are both bad guys, as far as I can tell with Murdock working for the Kingpin and Castle being a hard nosed, ignore the book, type of cop. The Punisher is a brutal vigilante except he still has his badge.
The one thing I love about this series is the art. It’s beautiful and enchanting in the best way possible. It has a feminine feel to it, which works for a female hero, yet it still has a grittiness. The costume design is friggin’ fantastic, the use of colors is superb and this is an incredible looking comic of the highest caliber. Kudos to Robbi Rodriguez for his art and Rico Renzi for his colors.
The story is also great and if it wasn’t, I couldn’t stick with a series despite how good the art is. Spider-Gwen is written by Jason Latour, who co-created the series with Rodriguez. Latour has written stories for Wolverine, Punisher, Winter Solider and done art for a myriad of titles throughout the years, going back to his work at Image on The Expatriate with B. Clay Moore, a guy who made one of my favorite series, Hawaiian Dick.
This volume sets the stage for what’s to come and although it doesn’t feature the real origin of the character, I felt like I had a good grasp on everything. I wish I was able to read about Spider-Gwen fighting Peter Parker as the Lizard but I’ll have to find that story elsewhere, I guess.
Pairs well with: The other Spider-Gwen collections.