Reworking my way through the Hack/Slash comic series, I have now finished the second omnibus.
Revisiting this series has been a lot of fun and I’m doing it to refresh my memory, as I am a bit behind and need to read the fourth and fifth omnibuses, as I last stopped at the third.
In this collection, the series really finds its footing. The series begins to really take shape, as Cassie Hack’s team of allies start to come together to create something bigger than just her and Vlad taking on slashers. The people she has saved and helped, up to this point, want to assist her in her noble fight by putting their talents to use from wherever they are.
The stories in this volume are more fleshed out and not just one-offs. This collection is also capped off with a crossover between Hack/Slash and Re-Animator. In fact, the Re-Animator story works as a sequel to the film series, following the events of the three movies but tying the character of Dr. Herbert West to the family affairs of Cassie Hack.
This omnibus has a good mix of artists. One story in the book also takes on the form of a classic Archie comic in its visual style.
Cassie and Vlad’s relationship develops deeper and we also get to see possible love interests for both characters enter the picture. Plus, we get the introduction of my favorite demon dog Pooch, a talking, grotesque but very comedic mutt from the depths of Nef, a special kind of Lovecraftian Hell.
I prefer this omnibus to the first, even though the first was a great introduction to the series. Now the series feels more lived in, the characters have more depth and the relationships are blossoming into something more complex than just victims appreciating the hero. The emotionally complex hero now has people that she can put that emotion into, as well as her trust.
Since it is just about time for Halloween, I wanted to revisit my favorite horror comic book series. No, it isn’t The Walking Dead, it is this great series by Tim Seeley and originally Devil’s Due Publishing (before Image Comics picked up the series).
I didn’t read Hack/Slash until the first omnibus was published. Since then, there have been five omnibuses to date, each coming in at around 300 pages, which equates to about ten regular sized comic books. This one covers the first several stories put to paper.
Hack/Slash follows Casey Hack, a girl who is an outsider that would rather hunt down slashers than try to conform to a normal life. She is aided by her very large sidekick Vlad, a Hulk-sized slasher looking guy in a gas mask. The slashers that she hunts are of the Hollywood variety. They aren’t just gimmicky serial killers though, they are essentially undead and incredibly hard to kill like Jason Voorhees or Michael Myers.
In this omnibus, we get the first story, see Cassie and Vlad’s origins and get to see them take on a myriad of evil slashers. We even get to see her face off against Chucky and Eddie the Head, the mascot of the thrash metal band Iron Maiden.
The stories are well-drawn and the plots are really entertaining. Hack/Slash uses a lot of humor to balance out the horror and dread. It feels like a true throwback to the 1980s slasher era and adds in a mix of Buffy the Vampire Slayer. Although, Cassie is much cooler than Buffy and Vlad is a better sidekick than any of the people from the Buffyverse.
This is one of my favorite comic book series of all-time and this is the best starting point for anyone who wants to check it out.
Batman: The Killing Joke (written by Alan Moore and illustrated by Brian Bolland) is highly regarded as one of the best Batman stories ever written. It is hugely popular and fanboys the world over embrace it like it is some sort of geek bible. It tells the origin story of the Joker and gives us the event that leads to Barbara Gordon’s transformation from Batgirl into Oracle. It essentially covers a lot of ground for only being 48 pages.
Being written by Alan Moore (Wathcmen, Swamp Thing, V For Vendetta, The League of Extraordinary Gentlemen) adds a certain level of credibility and mystique to this tale. That being said, for me, it doesn’t live up to the hype and the fanfare. The story isn’t bad but it just doesn’t develop into something all that thought-provoking, which is what one would expect from Alan Moore.
The Killing Joke gives us one of the many Joker origins and the one presented here has seemingly become the most popular. The thing is, there have been several different Joker origin stories told by several different writers that all vary to large degrees. In fact, in Batman canon, no Joker origin story is considered to be “the one”. The mystery of the character is that we just don’t know what his true origin is and frankly, I think it should be left that way: open for debate till the end of time. Christopher Nolan’s film The Dark Knight plays off of this, as his Joker goes on to tell varying stories of how he got his scars. Even the film Joker’s beginnings are unknown.
When it comes to the character’s origin, I’m more in favor of what was written by Michael Green in Batman: Lovers & Madmen. If you haven’t read it, I suggest that you do. I found it to be a better story than The Killing Joke.
The one thing that The Killing Joke has going for it, especially at the time of its release in the late 1980s, is the amazing art by Brian Bolland. The scenes are fantastically orchestrated and Bolland’s ability to convey emotion through his subjects is pretty spectacular. This definitely upped the ante at the time and brought a new level of artistry to the comic book industry, which was in the midst of a big evolutionary jump at that time. The inks and colors were also incredible and gave this book such a vibrant presentation. More than reading this graphic novel, I just liked to stare at its pages in awe.
I do thoroughly enjoy The Killing Joke but apart from the revolutionary art, it lacks in meat and potatoes, which is pretty uncharacteristic of Alan Moore. I think a lot of people embrace it simply because Moore’s name is on the cover, as he has become a comic book writer who has been deified by the fan community. I’m not saying that Moore hasn’t earned that distinction but this book isn’t on the literary level of someone who has reached that level of worship.
I haven’t read a Godzilla comic book since I was pretty young. I always had hoped for a really good series featuring the greatest kaiju of all, so I felt that I had to jump into Godzilla: Rulers of Earth after hearing some pretty great things about it.
To start, IDW Publishing has grown to become one of the greatest comic book publishers in history, as far as I am concerned. They continue to acquire lots of properties that I grew up loving: G.I. Joe, Transformers, Teenage Mutant Ninja Turtles, Doctor Who, Star Trek and so many others. They continually take these great franchises and create great comic book companion pieces to them. What they have done here with Godzilla, is really no different.
The artwork in Rulers of Earth is great. All the kaiju monsters look absolutely perfect and the action is intense. Also, this series includes just about every kaiju you can think of. The best part, is that it doesn’t just feature Godzilla versus familiar opponents, it gives us a lot of dream matches that don’t even include Godzilla. We actually get to see how certain monsters would fare against one another.
The only real negative about this series, is that there is so much focus on kaiju fights, that the overall story suffers. The human characters are very cookie cutter and mostly uninteresting. They try to make them unique and cool but their development is sacrificed for an almost endless stream of kaiju action. However, the whole point of kaiju entertainment is kaiju action, so I can’t really fault the writers for making that the centerpiece of Rulers of Earth.
Ultimately, this feels like a twenty-five issue comic book version of the film Godzilla: Final Wars. Sure, the story is different but this is essentially a kaiju Royal Rumble in comic book form. While IDW tried to fit in every monster they possibly could, I don’t necessarily think that was the best approach. But still, I really liked this series.
I haven’t read a lot of Aquaman comics, at least not in the modern era. However, I wanted to show respect for one of the most ridiculed superheroes of all-time. Picking up Aquaman: Sword of Atlantis, Vol. 1: Once and Future was cool because it gave me a good jumping off point for a new incarnation of the character.
Many people weren’t interested in this story as it introduced a new Aquaman. It didn’t bother me and I saw it as similar to Marvel’s Thor and what he goes through with Ragnarok. Even though this isn’t the same character as the Aquaman people are used too, it had that rebirth after Ragnarok vibe to it. It felt very similar to the relaunch of Thor a few years ago.
To start, the story was interesting enough but it wasn’t anything I’d go out of my way to revisit. Maybe I’d feel differently had I read passed volume 1 but I didn’t have much of an urge. While there were things I liked about the book, such as the beautifully drawn, inked and colored pages, it was just a tad better than mediocre.
I feel as if this set up could have evolved into something much better but it didn’t lay enough groundwork to keep me that interested. I just wasn’t captivated by it.
Being that I am a lifelong Batman fan and since I have been watching Gotham, where the mysterious Court of Owls is now a big part of the show, I wanted to check out their debut in comic book form.
I have to admit, I haven’t read a lot of the modern Batman stuff. The main reason, is that DC Comics constantly reboots their universe all the time and the constant changes aren’t just hard to follow, they’re incredibly annoying and I really don’t care for it to begin with.
So in this reboot of Batman, which doesn’t seem like a reboot, in any way, as I’m not sure what has changed and what hasn’t, we start with the large Bat Family all intact.
Anyway, Batman finds out that the old nursery rhyme about the Court of Owls may have some truth to it. After digging deeper, he finds that his family was somehow involved with the group. He then starts to have run-ins with The Talon, who is the bad ass assassin of the Court of Owls.
The story and the mystery are all really well written and this big change to the Batman mythos is kind of cool. I know that people were sort of split about this plot development a few years back when it happened. I like the concept and the idea.
The best thing about this collection of Batman issues 1 through 7 is the artwork of Greg Capullo. I used to love his work on Spawn and it is really cool seeing him draw my favorite hero.
Unfortunately, this collection doesn’t have a proper conclusion as it ends on a cliffhanger. That should be resolved in the following volume, which I have yet to read.
The Court of Owls is a good read and a neat twist to the world of Gotham City.
Well, I finally got around to reading the fourth volume in the Hawaiian Dick series by B. Clay Moore. Unfortunately, this volume reads like it is the last one. I hope there is more but some things happen in this one that forever change the course of the characters’ lives and their geographical location. That’s kind of a bummer but I have really enjoyed the series.
In this story, Byrd a.k.a. Hawaiian Dick is pitted against an old enemy from an earlier story, an enemy thought dead. This story also features the emergence of his one surviving brother. It also hints at a romantic relationship blossoming between Kahami and Mo Kalama, which is really sweet, honestly.
A lot happens to setup the story but a lot felt unresolved. I liked this volume, overall, but I felt like it was rushed at parts from a narrative standpoint and it left the reader with a lot of questions but I won’t spoil the plot details. That alone makes me hope that there is something else planned but I guess, time will tell.
The art in this book is done by Jacob Wyatt, Jason Armstrong and Paul Reinwand. It is a different style than the other books. While I preferred the look of the earlier ones better, the art is still really good. It was the art and style of those early Hawaiian Dick stories that really drew me in.
Aloha, Hawaiian Dick despite the length of time since the last story arc was originally published, maintains the quality of the series. As I’ve said in my reviews for the other volumes, I hope that there is more in the future and that we get to see these characters for years to come. I also think that this could be fantastic if adapted for the screen, whether large or small.