Film Review: Fright Night, Part 2 (1988)

Release Date: December 8th, 1988 (Australia)
Directed by: Tommy Lee Wallace
Written by: Tommy Lee Wallace, Tim Metcalfe, Miguel Tejada-Flores
Based on: characters created by Tom Holland
Music by: Brad Fiedel
Cast: William Ragsdale, Roddy McDowall, Traci Lind, Julie Carmen, Jon Gries, Brian Thompson, Merritt Butrick

New Century/Vista, TriStar Pictures, 104 Minutes

Review:

“It was a performance.” – Charley Brewster, “She cast no reflection!” – Peter Vincent

You know that old sentiment that sequels are never as good as the original? Well, it’s not entirely true, as many sequels have eclipsed their predecessors. However, Fright Night, Part 2 is not one of those.

While it is great to see Roddy McDowall and William Ragsdale reunite, as vampire hunting friends, the film has a massive void from all the other characters who aren’t here. Granted, Chris Sarandon’s Jerry Dandrige is dead and we have a new vampire threat in this chapter but Amanda Bearse is sorely missed, as is Stephen Geoffreys, whose Evil Ed died but reappears in a tease at the end of the first movie.

We do get the additions of Jonathan Gries, a guy I love in everything, and Brian Thompson, one of the most intimidating heavies of the ’80s and ’90s. Plus, Traci Lind is really good, even if she isn’t Bearse, and Julie Carmen is absolutely alluring as Dandrige’s ancient vampire sister, seeking revenge for the events of the first film.

Sadly, this film is pretty damn boring. It has a few good momnets, here and there, but none of them really make up for the overall film being unable to even muster up just a little bit of the magic they had in the first picture. The only time you really feel anything, is when McDowall and Ragsdale are together but even then, it feels like a cheap imitation of the first movie. However, that vampire bowling sequence is fairly amusing.

Fright Night, Part 2 is neither bad nor good. It just sort of exists and isn’t all that memorable. It’s a highly sought after film, as it has been out of print for awhile but I’ve still got an old copy.

If you haven’t seen this sequel but have been dying to because you’re a fan of the first film, just be prepared that it isn’t the lightning in a bottle that was the original Fright Night. You also shouldn’t pay a lot of money just to get your hands on a rare copy of it.

Film Review: Who Framed Roger Rabbit (1988)

Release Date: June 22nd, 1988
Directed by: Robert Zemeckis
Written by: Jeffrey Price, Peter S. Seaman
Based on: Who Censored Roger Rabbit? by Gary K. Wolf
Music by: Alan Silvestri
Cast: Bob Hoskins, Christopher Lloyd, Charles Fleischer, Stubby Kaye, Joanna Cassidy, Kathleen Turner, Mel Blanc

Touchstone Pictures, Amblin Entertainment, Buena Vista Pictures, 104 Minutes

Review:

“Is he always this funny, or only on days when he’s wanted for murder?” – Dolores

Back in 1988, I saw this movie in the theater. It was a pretty memorable experience, as this was an incredibly unique and enjoyable motion picture. I used to watch this a lot as a kid but I hadn’t seen it in a long time. Watching it again, I realized how much I missed this film. I mean, what’s not to like?

The film uses animated characters in a live action world. When I was young, this was a really cool experience, as I hadn’t seen anything like it before, at least not an entire movie like this. After Roger Rabbit, this would become a technique that was fairly common but this was the first movie to do it on such a large scale.

The really cool thing about the use of animated characters, is that everyone was in on the movie. For the first time, we got to see Disney characters mingle with Warner Bros. characters. One scene, in particular, has both Bugsy Bunny and Mickey Mouse on screen together. The film really is a cool crossover before crossovers even really became a thing.

Roger Rabbit stars Bob Hoskins and Christopher Lloyd, as the main human components of the movie. The film provided iconic roles for both men and they hit it out of the park. Hoskins was tailor made to play a noir type private dick while Lloyd had the perfect balance of being sinister, chilling and completely insane when the reveal of his true identity came out.

Charles Fleischer was perfect as the voice of Roger and he instantly made this character a megastar and worthy of a place alongside the great animated stars of the Disney and Looney Tunes characters he shares the screen with. Roger truly felt like he belonged, which wasn’t an easy feat but Fleischer gave the character real life and comedic charm.

Jeffrey Price and Peter S. Seaman wrote a great script that had elements of film-noir, comedy, fantasy and lightheartedness mixed in with some really dark material. The scene where a character gets steamrollered was pretty harsh stuff for a kid but it is counterbalanced by the fantastic absurdity of how that moment plays out. This is truly a living cartoon.

Who Framed Roger Rabbit is a real classic. It still hits the right notes and being a period piece makes it a pretty timeless motion picture that still works just as well today, as it did in 1988.

Film Review: 976-EVIL (1988)

Release Date: December 9th, 1988 (UK)
Directed by: Robert Englund
Written by: Rhet Topham, Brian Helgeland
Music by: Thomas Chase, Steve Rucker
Cast: Stephen Geoffreys, Jim Metzler, Maria Rubell, Pat O’Bryan, Sandy Dennis

CineTel Films, Horrorscope Productions, New Line Cinema, 92 Minutes (theatrical), 105 Minutes (VHS)

Review:

“[possessed Hoax produces two ripped-out hearts] Would it be possible… to enter the game with a pair of hearts?” – Hoax

976-EVIL probably has a bad rap. It’s not a good movie, per se, but it gets more negative attention than it deserves. It is underappreciated, in my opinion, even if it is far from perfect. Plus, it was directed by Freddy Krueger himself, Robert Englund.

The film stars Stephen Geoffreys, most famous for playing “Evil Ed” in Fright Night. He is just as strange in this picture but even with that strangeness, he is likable and charismatic. In this, we get to see him break down from a nerdy kid into a demon possessed badass with some really good lines and cool moments.

The film isn’t boring but it also isn’t too exciting. It feels like a rehash of a lot of things 80s horror fans had already seen with better execution. Tapping into the hotline craze of the 80s was a cool touch, though. It became a story where the supernatural was reliant on technology to spread itself into the world, similar to what we would see years later with the Japanese film Ringu and its American remake The Ring. Not to mention all the films since then that tap into people getting possessed or killed by supernatural evil working through websites or social media platforms.

976-EVIL isn’t a complete waste but it isn’t a must see movie either. It works on a day when you’ve exhausted every 80s horror film you can think of and find this sitting on a streaming site. It is a good way to kill 90 minutes and Stephen Geoffreys gives a memorable performance.

Also, the big finale in the house where “Hell froze over” is well done. I always liked this part of the film and it stands out as a memorable horror finale from this era.

Film Review: Halloween 4: The Return of Michael Myers (1988)

Release Date: October 21st, 1988
Directed by: Dwight H. Little
Written by: Alan B. McElroy, Danny Lipsius, Larry Rattner, Benjamin Ruffner, John Carpenter, Debra Hill, Dennis Etchison
Based on: characters by John Carpenter, Debra Hill
Music by: Alan Howarth
Cast: Donald Pleasence, Danielle Harris, Ellie Cornell, Michael Pataki

Trancas International, Galaxy Releasing, 88 Minutes

Review:

“Six bodies, Sheriff! That’s what I’ve seen between here and Ridgemont! A filling station in flames! I’m telling you Michael Myers is here, in this town! He’s here to kill that little girl and anybody who gets in his way!” – Dr. Loomis

After Halloween III confused audiences for being a film completely unrelated to the Michael Myers story, the franchise returned to its big moneymaker for Halloween 4. Michael Myers was back! Dr. Sam Loomis was back! Laurie Strode was not back, however.

To keep the story alive without the presence of Jamie Lee Curtis, the plot moves ahead ten years, bringing it up to 1988, the year it was actually released.

In 1988, Laurie is nowhere to be found but her young daughter similarly lives with a foster family. While she knows the dark family secret and knows who her mother is, she and her new family have to contend with the return of Michael Myers, her killer uncle.

Halloween 4 is a pretty standard slasher movie. The slasher shows up, bodies get stabbed and the young heroine has to try and survive the night. This one has a nice twist at the end, however.

It was great seeing Donald Pleasence return to the role of Dr. Loomis. He was still a madman but he wasn’t as batshit crazy as he was in Halloween II.

I like the tone of this picture and Danielle Harris was absolutely dynamite as the young and terrified Jamie Lloyd, the daughter of Laurie Strode. In fact, I like the duology of Halloween 4 and 5 almost as much as I like the duology that was parts 1 and 2. The people behind these two films did a pretty decent job, overall.

Film Review: Night of the Demons (1988)

Release Date: October 14th, 1988
Directed by: Kevin S. Tenney
Written by: Joe Augustyn
Music by: Dennis Michael Tenney
Cast: William Gallo, Hal Havins, Amelia Kinkade, Cathy Podewell, Linnea Quigley

Paragon Arts International, Republic Pictures, International Film Marketing, Metro-Goldwyn-Mayer, 87 Minutes

Review:

“Eat a bowl of fuck! I am here to PARTY!” – Stooge

I’ve never been a huge fan of this 80s horror picture. While it does have its fans and it went on to have sequels and a remake, it just never hit the mark for me.

Night of the Demons feels like someone wanted to make their own version of Sam Raimi’s The Evil Dead mixed with Lamberto Bava’s Demons with an added in teen sex comedy element. That’s not a bad mixture, really, but the film feels cheap and like a retread without much of anything new to offer.

Plus, the demons look so repulsive and off putting that it is almost a distraction. At least Bava’s Demons had amazing style and was more creative with its visual repulsiveness.

The makeup is pretty good, considering the quality of the rest of this film’s special effects. However, the demon dragon skeleton thing looks like a character from The Muppets, even if it is supposed to be the embodiment of pure evil. It’s an awful monster that looks as if it were constructed by some kid that didn’t know how to assemble one of those wooden dinosaur bone puzzles. Also, everything else looks just as amateurish.

The cinematography, the shots, the lighting – it’s all bad.

The acting doesn’t get any better than the rest of the film’s faults and really, you don’t care for a single person in this mess of a film.

The only really cool thing with the picture was the main girl dressing up like Alice from Alice In Wonderland. It helped to give the film an otherworldly vibe and the girl felt like a real fish out of water except it was Alice in Hell instead of Wonderland.

I also liked the use of Bauhaus’ “Stigmata Martyr” when Angela was transforming into a demon with her strange dance.

Also, Linnea Quigley is in this so boobies are guaranteed. But she’s the biggest star, which goes to show the quality of talent in front of the camera.

Night of the Demons is a forgettable film, other than it pushing the bar with its repulsiveness.

TV Review: Kamen Rider Black RX (1988)

Also known as: Masked Rider Black RX
Original Run: October 23rd, 1988 – September 24th, 1989 (Japan)
Created by: Shotaro Ishinomori
Directed by: various
Written by: various
Music by: Eiji Kawamura
Cast: Tetsuo Kurata, Jun Koyamaki, Rikiya Koyama

Ishimori Pro, Toei Company, 47 Episodes, 25 Minutes (per episode)

Review:

Kamen Rider Black RX is only the third Kamen Rider series that I have seen in its entirety, after Kamen Rider V3 and Kamen Rider Black. This series is a direct sequel to Kamen Rider Black and features the same hero, although he is defeated early only to be reborn as RX.

This series is very consistent with its predecessor, which was fantastic. However, it actually ups the ante towards the end, as in the last few episodes, all the previous versions of Kamen Rider show up to offer their assistance. It was the first Kamen Rider story to feature all the Riders since the 1984 TV film Birth of the 10th! Kamen Riders All Together!!

Having defeated Gorgom in the previous series, our hero Kohtaro is now a helicopter pilot and lives with the family who owns that business. The new villain group are aliens that call themselves the Crisis Empire. They plan to take over Earth, killing all the humans because humans don’t respect the Earth. It is a simple story line that has been used in tokusatsu (and sci-fi, in general) since the beginning of the genre.

Kohtaro doesn’t just become RX, he also takes on the guise of a few other Riders with specific powers. Bio-Rider, for instance, can shrink down in a similar fashion to Marvel’s Ant-Man. Also, he has his talking motorcycle and a sweet car that looks an awful lot like Frankenstein’s car from Death Race 2000.

The action is solid, the stories are good and this series has some pretty neat looking monsters. Nine television series into this franchise and the minds behind Kamen Rider still prove that they are creative and have some fresh ideas.

The version of the show I have is a bit tough to watch, at times. This was never released commercially in the United States with proper subtitles or dubbing. That is kind of unfortunate, as the show was re-edited into a U.S. show called Masked Rider. This was done in the same way that Super Sentai shows were being re-edited into the Power Rangers franchise. In fact, this show was made to be a spin off of Power Rangers in the U.S.

The reason the version I have is tough to watch is because the DVD set is from Malaysia. Just imagine a Japanese show translated into English by Malaysians. Yeah, a lot of things get lost in translation or are very confusing. Also, character names are not consistent. In fact, RX was called “Superman Black RX” and Rider Man from Kamen Rider V3 was “Black Superman”. The subtitles also constantly warned of Earth being taken over by “queer devildom”, whatever the shit that means. Also, some of the characters had Chinese names instead of Japanese names. But this is what happens when you get DVDs of shows you like from Malaysian sellers on eBay.

Malaysian weirdness aside, it really didn’t ruin the show. Its quality shined through and Kamen Rider Black RX was pretty close to perfect for a tokusatsu show.

Film Review: Red Heat (1988)

Release Date: June 14th, 1988 (premiere)
Directed by: Walter Hill
Written by: Walter Hill, Harry Kleiner, Troy Kennedy Martin
Music by: James Horner
Cast: Arnold Schwarzenegger, James Belushi, Peter Boyle, Ed O’Ross, Gina Gershon, Laurence Fishburne, Richard Bright, Brion James

Carolco Pictures, Lone Wolf, Oak, TriStar Pictures, 103 Minutes

Review:

“Since I figure cops are cops the world over, how do you Soviets deal with all the tension and stress?” – Commander Lou Donnelly CPD, “Vodka.” – Ivan Danko

Red Heat was a part of a string of really good Schwarzenegger films (omitting the weak Raw Deal from that string). There was just something great about Arnie in the 80s and Red Heat is another good example of how cool and bad ass the Austrian Adonis was in his prime.

The film also benefits from being written and directed by Walter Hill, another man that was at the top of his game in the 80s, coming off of directing a string of great pictures: Hard TimesThe WarriorsThe Long Riders48 Hrs. and Streets of Fire. He also directed Brewster’s Millions, which wasn’t his normal forte but was still an entertaining vehicle for both Richard Pryor and John Candy.

The film also has some notable other actors in it: Laurence Fishburne, Peter Boyle, Gina Gershon, Brion James and Richard Bright. Then there is James Belushi, the other star and comedic half of the cop duo but oddly, I’ve never been a big Belushi fan and find his presence kind of distracting and the main negative aspect of the picture. But hey, at least this is better than K-9.

Honestly, there was probably a ton of great comedic actors that could have played alongside Schwarzenegger better than Belushi but this film is almost thirty years old and Eddie Murphy, Bill Murray or Richard Pryor probably cost too much. But hell, they couldn’t get Dan Aykroyd or Harold Ramis? Dudley Moore? Dabney Coleman? Roger Dangerfield? Tony friggin’ Danza?

Walter Hill has a very straightforward style with his directing. However, he still captures a certain sort of magic that set the quality of his films apart from others in the 80s action genre. His pictures look crisp and pristine and just very well produced. The mix of the Soviet Union scenes with urban Chicago gives this picture a cool visual dichotomy that enhances the contrast between the Soviet cop and the Chicago Police Department. The urban scenes also have that same sort of lively grittiness that Hill gave us with The Warriors48 Hrs. and Streets of Fire.

Ivan Danko is one of the coolest Schwarzenegger characters of all-time, to the point that it would have been cool to have seen him return in some form in another project or a sequel – preferably without Belushi. Arnie was just able to nail the role and he just looked like a tough as nails manly man in his Soviet cop uniform. He was an intimidating presence and the persona and visual vibe fit the actor to a t.

While this is not the balls out action masterpieces that Commando or Predator were, it definitely fits in the upper echelon of Schwarzenegger’s work. Walter Hill and Arnie worked really well together and it would have been cool to see them re-team but as of yet, that hasn’t happened.