Published: March 7th, 2018
Written by: Dan Slott
Art by: Stuart Immonen, Giuseppe Camuncoli, Jim Cheung, Humberto Ramos, Alex Ross (covers)
Marvel Comics, 148 Pages
Let me preface this review by saying, “Holy shit balls!”
Man, oh, man… I friggin’ loved this story and this is the best Spider-Man story arc that I have read since before that 2008 catastrophe Brand New Day, which made me quit reading Spider-Man after two decades of loyalty. Yes, I even made it through that godforsaken Clone Saga in the ’90s without quitting.
While Dan Slott was a big part of Brand New Day and continued to keep writing Spider-Man for a decade, including this story, his last, I had heard good things over the last few years. But it wasn’t until I heard about this story that I figured that I’d finally give the guy another shot. Well, he’s really undone the damage of Brand New Day and also seems to be righting the ship with some of the things that have changed since then. Well, at least this arc starts with Peter Parker and Mary Jane Watson making out. That’s a big giant leap out of the Brand New Day muck.
So Norman Osborn, the original Green Goblin, has acquired the Carnage symbiote. He sort of has it under control and used it to remove the restrictions that Peter Parker put in his blood to prevent him from ever being the Green Goblin again. So what we have now is the Green Goblin and all of his powers enhanced by the Carnage suit. So to paraphrase what the official story arc write-up said, “This is Spider-Man’s greatest villain merged with his most deadly.” Basically, shit just got real.
The story sees Osborn hellbent on destroying Spider-Man, which is made easier when he finally remebers that Spidey is Peter Parker. That’s where it becomes an all out assault on Parker and his loved ones. Osborn tells Parker to stop being Spider-Man and if he abides by this, his loved ones will be safe. Peter’s allies unite in an effort to take on Osborne but ultimately, Peter Parker has to put the costume back on and have a big showdown with this new Red Goblin for all the marbles.
The story is intense, really intense. It was hard to put down and the big 80 page finale that was issue 800 was perfection. I understand people’s reservations with Slott’s epic run on The Amazing Spider-Man but this story arc was some grade A stuff, especially in an era where Marvel hasn’t been putting out a lot of quality books.
This served to not just up the ante and give Spider-Man one of his toughest threats of all-time, it also gave closure to a lot of plot threads that have stretched decades. There is an important death in this but it was done tastefully and only made that character better. Also, it was a decades long redemption story that gave a sad but satisfying payoff for those who hated and then learned to love this character over the years.
I also thought that the art was incredible. Marvel has been letting amateurish looking art creep into their titles but The Amazing Spider-Man has kept the best of the best and the quality of Go Down Swinging is such a great contrast to the terrible Marvel books I see, wall to wall, in every comic book shop I frequent.
I can’t praise this enough. And thank god they pushed Mockingbird out of the equation, as that relationship never seemed to work for me (and others from what I’ve read).
Dan Slott may have started out throwing gasoline on a dumpster fire but he ended by giving us one of the high points in the long history of The Amazing Spider-Man.
Pairs well with: Since this is the big finale of the long and storied Dan Slott run, all of the Slott Spider-Man stuff before this. However, you may want to pickup the story arc Threat Level: Red, as it serves to setup this big finale. Try to avoid Brand New Day unless you’re into torture.