Film Review: Demon Knight (1995)

Also known as: Tales From the Crypt Presents: Demon Knight (complete title)
Release Date: January 13th, 1995
Directed by: Ernest R. Dickerson
Written by: Mark Bishop, Ethan Reiff, Cyrus Voris
Music by: Edward Shearmur
Cast: Billy Zane, William Sadler, Jada Pinkett, Brenda Bakke, C. C. H. Pounder, Thomas Haden Church, Dick Miller, John Schuck, Gary Farmer, Charles Fleischer, Chasey Lain, Traci Bingham, John Larroquette (cameo), John Kassir

EC Comics, Universal Pictures, 92 Minutes

Review:

“Fuck this cowboy shit! You fucking ho-dunk, po-dunk, well then there motherfuckers! All you had to do was give me the goddamn key! Then we could get on with our lives. [cuts his hand to make new creatures] Alright… this house is hereby… condemned…” – The Collector

As a horror loving kid in the ’80s, I used to watch the shit out of HBO’s Tales From the Crypt. So when the show ended but they turned to producing movies, I was saddened but also kind of stoked.

I saw Demon Knight when it first came out in my local theater and I even got a copy of it on VHS when it was released later that year. It has been a really long time since I’ve seen it, however. Actually, the last time I saw it was when I still had a working VCR. Seeing it now, I forgot how absolutely insane and fun this movie was.

The film is directed by Ernest Dickerson, who started his career doing the cinematography in Spike Lee’s earliest films. Before directing this, he was in the director’s chair for Juice and Surviving the Game, two films I really liked as a teen and still enjoy today. Dickerson was a young, up and coming filmmaker when he got this gig. I feel like his work on Demon Knight enriched his oeuvre.

It didn’t hurt that Dickerson had an all-star cast in this thing. The two top roles went to William Sadler and Billy Zane. To be frank, this is still my favorite role that Zane has ever played. The film is rounded out by Jada Pinkett, Thomas Haden Church, C. C. H. Pounder, Dick Miller, Brenda Bakke and Roger Rabbit himself, Charles Fleischer. As a huge Dick Miller fanboy, I love him in this and he got his just desserts, at this point in his long career, as he gets to star opposite of a horde of big breasted naked ladies in his final scene.

This is a film that pulls no punches and just goes for it and that’s why it works so well, has held up nicely and is infinitely more fun and entertaining than 99 percent of modern horror. The demons are cool, Zane is cool, Sadler is cool, Dick Miller is Dick f’n Miller and this is just a bonkers movie in the greatest regard. In a lot of ways, Dickerson out Joe Dante’d Joe Dante.

I’m glad that I revisited this, which also has got me enthused about revisiting that other Tales From the Crypt movie, Bordello of Blood.

Documentary Review: That Guy Dick Miller (2014)

Release Date: March 7th, 2014 (SXSW)
Directed by: Elijah Drenner
Music by: Jason Brandt
Cast: Dick Miller, Lainie Miller, Gilbert Adler, Allan Arkush, Julie Corman, Roger Corman, Joe Dante, Fred Dekker, William Sadler, Robert Picardo, Ernest R. Dickerson, Corey Feldman, Robert Forster, Zach Galligan, Jonathan Haze, Jack Hill, Leonard Maltin, John Sayles, Mary Woronov

Autumn Rose Productions, End Films, 91 Minutes

Review:

If you don’t know who Dick Miller is or at least recognize his face, you were probably born after the year 2000. Even then, if you’ve ever watched a film before that time, you have most likely seen him at one point or a dozen.

Dick Miller was in everything from the 1950s through the 1990s. No, seriously, he was. Well, at least it seemed like he was in everything. The man has 180 credits to his name according to IMDb. Growing up in the ’80s, I saw him pop up a few times a year in the coolest movies of the time. The one that will always stand out the most for me was his part in Gremlins, which was the first time I remember seeing him. Every time I saw Mr. Miller after that was always a nice treat.

As I got older and went back and watched older films, especially when I found a love for Roger Corman’s pictures, I started to experience a younger and hip Dick Miller. He started his career in a lot of those early Roger Corman pictures and that association would serve him well, as all the young directors who rose to prominence, who were influenced by Corman, started hiring Miller for their films.

This documentary goes back and shows Miller’s early life, how he made the connection with Corman and how his career blossomed in unseen ways because of it. I love that it goes through his long history in films and interviews a lot of the people who were there alongside him. It also talks to the directors who hired him and have a love for his work.

Dick Miller is a guy that deserves some sort of lifetime achievement award for his contributions to the films he was a part of. He was a mainstay in Hollywood for decades and if he was in a movie it sort of legitimized it as cool. It didn’t matter when he got older either, as he took over the screen in his cameos in a lot of Joe Dante’s pictures.

That Guy Dick Miller is a pretty awesome documentary for fans who grew up watching this guy work. Even if you aren’t familiar with him, this is probably still enjoyable and will give you a solid appreciation for the man and the films he was a part of.

Film Review: The ‘Burbs (1989)

Release Date: February 17th, 1989
Directed by: Joe Dante
Written by: Dana Olsen
Music by: Jerry Goldsmith
Cast: Tom Hanks, Bruce Dern, Carrie Fisher, Rick Ducommun, Corey Feldman, Wendy Schaal, Henry Gibson, Brother Theodore, Courtney Gains, Dick Miller, Robert Picardo, Nicky Katt

Imagine Entertainment, Universal Studios, 101 Minutes

Review:

“[finds a femur] Ray, there’s no doubt anymore. This is real. Your neighbors are murdering people. They’re chopping them up. They’re burying them in their backyard. Ray… this is Walter.” – Art Wiengartner

The ‘Burbs is a rare dark comedy that hits all the right notes. Joe Dante was the perfect person to direct the script and the film was also perfectly cast.

While Tom Hanks was already building a name for himself and was a really good comedic performer that could handle more serious or dramatic material, it was this picture that really cemented his status, at least for me.

Hanks wowed people with a dramatic turn in Nothing In Common and even though The ‘Burbs doesn’t get as serious as that film, Hanks could flip the switch from comedy to serious on a dime, which he did here flawlessly. This and Big, which came out just a year prior, are the two films that made me a Tom Hanks fan. Following this up with the underappreciated Joe Versus the Volcano was also a great move by Hanks.

The cast is rounded out by Bruce Dern, Carrie Fisher, Corey Feldman and Canadian comedian Rick Ducommun – a guy that probably should have had more prominent roles like this. The Klopek family, who were the focal point of suburban curiosity, were played by Henry Gibson – who is always fun, Brother Theodore – who was tailor made for this film, as well as Courtney Gains, who creeped out audiences a few years prior in Children of the Corn. You also get to see a young Nicky Katt, before he would become more recognized in his work with director Richard Linklater. Joe Dante also dips into the well of his regulars and gives us cameos by the great Dick Miller and the awesome Robert Picardo.

Mundane suburban life is at the center of the movie, as it follows three very bored suburban men and their wariness over the strange new neighbors who moved onto their street: the Klopeks. As the story progresses, they suspect the Klopeks are murderers. The plot escalates to the point that they can’t resist the temptation of digging up the Klopek’s yard and breaking into their house when they leave one day.

The film is highly comedic but is also a mystery and a thriller with a touch of horror added in. It is a pretty awesome mix and Dante worked his magic to great results.

It is also a highly stylized picture but in a subtle way. It was filmed on the Universal backlot and utilized some of the houses seen in famous sitcoms and other films. In fact, the house that Hanks lives in was used a few years earlier in another Hanks film, Dragnet. The generic suburban look makes it so that this neighborhood could be any neighborhood but it also has a sort of fantasy feel to it. It’s grounded in reality but it skews reality.

The ‘Burbs is solid, through and through. While it has gotten more popular over time, it wasn’t a critical success in 1989. When I first saw it, most of the kids I talked to hadn’t seen it. As I got older and time rolled on, I found more and more people that loved the film after discovering it on video or cable. Still, it surprisingly only has a 49 percent rating on Rotten Tomatoes.

While not explicitly horror, this is a film I have to pop on almost annually around Halloween.

Film Review: Rock ‘n’ Roll High School (1979)

Release Date: August 24th, 1979
Directed by: Allan Arkush
Written by: Richard Whitley, Russ Dvonch, Joseph McBride, Allan Arkush, Joe Dante
Music by: The Ramones
Cast: P.J. Soles, Dey Young, Vince Van Patten, Clint Howard, Mary Woronov, Paul Bartel, Dick Miller, Don Steele, The Ramones

New World Pictures, 93 Minutes

Review:

“Those Ramones are peculiar.” – Miss Togar

Roger Corman always liked to capitalize on whatever pop culture trends came along. Initially, he wanted to make a film called Disco High School. However, with the end of the film being capped off by the high school exploding behind dancing students, one of his collaborators said that the ending would fit much better with rock and roll. Corman agreed and after being pointed in the direction of punk rock legends The Ramones by Paul Bartel, a regular Corman collaborator, the rest is history.

Rock & Roll High School isn’t a good film but it is a ridiculous and fun motion picture that features the great tunes of The Ramones and the insane and infectious enthusiasm of its star, P.J. Soles.

The film also stars the always great Mary Woronov as the villainous principal and Paul Bartel as a music teacher that converts to a fan of The Ramones after getting doped up at a concert. We also get a good cameo by Dick Miller and get to enjoy a few scenes with the enigmatic and entertaining Don Steele. A young Clint Howard is also in this.

This movie is mostly a high school teen sex comedy with a heavy emphasis on The Ramones music. It isn’t quite a musical but it plays like one at times. The Ramones have a lengthy concert segment within the film but outside of that, we see P.J. Soles lead a group of girls singing in gym class, as well as the big finale which sees the students and The Ramones march through the school halls as they trash the place to the horror of the administration, their parents and the police outside.

Rock & Roll High School is highly entertaining but probably only for those who love the actors involved or who have a love for The Ramones. I’m not sure how it would resonate for others. It’s definitely a movie that is still well regarded by many because of its ties to punk music, Roger Corman, Joe Dante, Paul Bartel, Mary Woronov, P.J. Soles and because it has a massive nostalgia factor.

Film Review: Bucket of Blood (1959)

Release Date: October 1959
Directed by: Roger Corman
Written by: Charles B. Griffith
Music by: Fred Katz
Cast: Dick Miller, Barboura Morris, Anthony Carbone, Julian Burton, Ed Nelson, John Brinkley

AltaVista, American International Pictures, 66 Minutes 

Review:

“I didn’t mean to hurt you, Lou. But if you’d have shot me, you’d be moppin’ up my blood now.” – Walter Paisley

Roger Corman’s Bucket of Blood by highbrow critics’ standards is probably really frowned upon, especially back in 1959 if critics even bothered with it. They typically ignored these sort of pictures because not acknowledging them somehow made them nonexistent.

However, as time has passed, this is a film that many have come to love and appreciate. I wouldn’t say that it was ahead of its time, as House of Wax treads very similar territory and it predates this by a few years and it is also a remake of Mystery of the Wax Museum from 1933, which itself is based on a short story by Charles S. Belden, published a year prior to that.

The main difference between the films’ narratives is that instead of wax our artist here uses clay. And instead of being a great artist that lost the use of his hands, Bucket of Blood features a beatnik busboy with no talent using clay to cover up his accidental killings and eventually, his premeditated murders.

Bucket of Blood is a pretty short film being only 66 minutes. This was typical for the Corman pictures of the time. Little Shop of HorrorsCreature From the Haunted Sea and others had very short running times. Still, a lot happens in the film. It also moves at a good speed.

The cast of characters in this picture are great.

The film stars Dick Miller, who was one of Corman’s (and later Joe Dante’s) favorite actors to use. He plays Walter Paisley, the busboy turned artistic killer. Miller is stupendous as the bumbling and wimpy Walter. He starts out pretty innocent but evolves into a killer due to his accidental killings bringing him some fame within his small beatnik scene.

The rest of the movie is made up with several interesting and bizarre beatnik characters. The guy who plays the really pretentious pseudo-intellectual poet is pretty fantastic.

Bucket of Blood is far from flawless but it is still a movie worth its weight in buckets of blood. It is pretty tame on the horror and is more of a black comedy with very little blood. Most of the killing is artistically implied. It was well thought out and well executed for the time and for the fact that it was made for the price of a pair of shoes.

Film Review: The Terminator (1984)

Release Date: October 26th, 1984
Directed by: James Cameron
Written by: James Cameron, Gale Anne Hurd
Music by: Brad Fiedel
Cast: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen, Earl Boen, Bill Paxton, Brian Thompson

Hemdale Film Corporation, Pacific Western Productions, Cinema ’84, Orion Pictures, 107 Minutes

Review:

I got to watch this on the big screen. Okay, not in an actual theater but at a friend’s homemade theater with a twenty foot screen outside under the stars. He was testing his new projector, put up a giant sheet between the trees and decided that we’d watch The Terminator. I couldn’t argue with that.

I’m glad I got to see this thing huge, like it was originally intended by James Cameron, a man who used to make fantastic cinematic masterpieces until that pile of shit Titanic made more money than the GDP of all the EU countries combined.

Terminator 2: Judgment Day is also pretty much a masterpiece but nothing compares to this, the first film. While it isn’t technically considered a horror movie, it is. This is a bonafide slasher flick where the killer carries big ass guns instead of bladed objects.

Arnold Schwarzenegger plays the Terminator. If you don’t know, he is a killer cyborg from the future. He is essentially a clean cut Jason Voorhees that dresses like Rob Halford from Judas Priest. He’s got more guns than John Rambo in the sequels. He is a relentless killer, that will keep coming and coming until he murders his target or he is somehow destroyed. Good luck with that!

Linda Hamilton and Michael Biehn also star in this. Biehn, a favorite of Cameron, is great as the future hero sent back to protect Sarah Connor from the Terminator. Hamilton is her most famous character, the aforementioned Sarah Connor. She isn’t the bad ass heroine that she would be in Terminator 2 but she did a good job in this picture, evolving from the damsel in distress type to the powerful strong woman that was on the verge of raising future super bad ass John Connor, the man who would defeat the Terminators in 2029.

Seriously though, Linda Hamilton is so damn good as Sarah Connor that the best way to spot a crappy Terminator sequel is to see if Linda Hamilton isn’t in it. Her voice over cameo in the fourth film doesn’t count. She has to be in the film, as flesh and blood. She is only in the first two movies and for me, that is the story. I ignore everything after part two.

This movie is dark and it is balls to the wall bad ass. It gets going and it never slows down. Even when you think the heroes are safe for a minute… nope! Next thing you know, the Terminator is driving a car through a damn police station and shooting up dozens of cops. You blow up the Terminator in a gas truck… too bad, his skeleton will chase you! You blow up his skeleton… too bad, his head and arms will crawl after you!

This was some of James Cameron’s best work. For a low budget film in 1984, the special effects are pretty friggin’ stellar. This certainly redeems him from that Piranha II movie and it set the stage for his greatest picture Aliens in 1986. The Sarah Connor character was a good prototype for what Ellen Ripley would become in the Alien franchise. Then on the flip side, Ripley became the template for the more evolved Sarah Connor in Terminator 2.

The Terminator is incredible. I can’t imagine what it was like seeing this in the theater in 1984. It probably would have blew my mind but I was five years-old and my mum probably took me to something like Footloose, she liked dancing movies and I always got dragged along.

Film Review: It Conquered the World (1956)

Release Date: July 15th, 1956
Directed by: Roger Corman
Written by: Lou Rusoff, Charles B. Griffith
Music by: Ronald Stein
Cast: Peter Graves, Lee Van Cleef, Beverly Garland, Sally Fraser, Dick Miller, Jonathan Haze

American International Pictures, 71 Minutes 

it_conquered_the_worldReview:

In the early days of American International Pictures, they did some imaginative low-budget sci-fi and horror films. Roger Corman will always be known for being the king of the cheapo horror feature but that certainly isn’t a bad thing. He turned films out at a record pace and was more concerned with tight shooting schedules and doing things as cheaply as possible. His formula worked for a really long time and you have to kind of admire some of the films he was able to put together using this formula.

Most of Corman’s pictures turned a profit and he created a way of doing business that still exists in Hollywood today. Granted, now it just gives us unnecessary Saw and Paranormal Activity sequels, as well as “found footage” horror pictures but Corman was certainly onto something in his heyday.

It Conquered the World is one of these Corman classics. And no, it isn’t a particularly good film but it is still pretty enjoyable and it features a hokey yet really cool monster, a Corman staple.

The film stars Peter Graves, a beloved icon to Mystery Science Theater 3000‘s Crow T. Robot, and one of my personal favorites, Lee Van Cleef. We also get to enjoy the talents of one of Corman’s favorite actors, Dick Miller. Granted, Miller’s role here is really limited.

Van Cleef plays a scientist, Dr. Anderson. He has made radio contact with a creature from Venus. The alien monster claims it only wants peace but it actually wants to enslave humanity through mind control. The alien claims he can bring peace by eliminating human emotions, which is a ploy to administer the brainwashing technique. The alien disrupts all electric power on Earth, crippling the planet’s technology. The alien also releases bat-like creatures carrying mind control devices. Graves’ character, Dr. Nelson, finds his wife to be already assimilated and she attempts to use one of the bat-like creatures on him. The film then takes some dark turns until ultimately, there is a final showdown with the bizarre creature.

The acting isn’t great, the direction isn’t either but Roger Corman didn’t concern himself with these things. He had a monster movie to pump out and couldn’t waste time. It should go without saying that the special effects aren’t fantastic either.

It Conquered the World is one of those sort of films where you either love it or you hate it. It only works for a certain kind of audience: one that is familiar with Corman’s style and can look beyond the problems with the film and just enjoy it as a mindless creature feature that, at its high points, is a lot of fun.