Film Review: Idle Hands (1999)

Release Date: April 30th, 1999
Directed by: Rodman Flender
Written by: Terri Hughes, Ron Milbauer
Music by: Graeme Revell
Cast: Devon Sawa, Seth Green, Elden Henson, Vivica A. Fox, Jessica Alba, Jack Noseworthy, Robert Englund (voice), Fred Willard, Connie Ray, Kelly Monaco, The Offspring

Licht/Mueller Film Corporation, Team Todd, TriStar Pictures, Columbia Pictures, 92 Minutes

Review:

“There is evil out there, and I’m gonna kick its ass!” – Debi

Idle Hands is a bizarre and fun movie.

It follows a stoner and his buds. The main stoner, played by Devon Sawa, who was a hot commodity circa 1999, has a possessed hand. His hand murders his parents very violently while he is asleep. The rest of the film sees him trying to control his hand, as it yanks him around like a rag doll while looking for more people to murder.

This isn’t a film that did well when it came out and critics weren’t kind to it. It is sort of a niche movie that found its audience once it hit video stores. I remember that it developed a cult following pretty quickly and when I was in my early twenties, this was on the TV at a lot of parties. And rightfully so, as it is unique, cool and has a certain charm to it.

I have always been a fan of horror, especially when it has a comedy element to it. This film has the right balance between its scares and its laughs. It is also pretty gory, which was still fairly normal in 1999 before the ’00s brought tame PG-13 horror.

Seth Green has played a lot of good characters, the best of them always seeming to be an extension of himself. Here, he plays maybe his best character as one of the stoner buds. After he dies, early in the film, he is basically a zombie pothead with a bottle lodged into his forehead. The other stoner, who walks around holding his decapitated head, was played by Elden Henson, who modern audiences will probably recognize as Foggy Nelson from the Daredevil series on Netflix.

Jessica Alba is also in this, as the apple of the stoner’s eye, and she’s never been more adorable. Most guys my age fell in love with her in the TV show Dark Angel but it was Idle Hands that got me crushin’ on her hard.

I also love that Fred Willard is in this, albeit briefly, as the father of Sawa’s character. He meets his violent demise pretty quickly in the film but Willard is enjoyable in everything. Here, he is a straitlaced dad that’s sick of his stoner son being a useless coach potato with no ambition.

This movie has really good style. I love the set design, the characters’ looks and the score is actually pretty damn good.

I love the opening theme by Graeme Revell, as it truly sets the tone of the picture. The rest of the film is accented by Revell’s score mixed with a lot of notable ’90s rock. The Offspring even play the school dance, where they cover The Ramones “I Wanna Be Sedated”.

Idle Hands is just a good time if you are into horror comedies with a good amount of gross out moments.

Rating: 6.75/10
Pairs well with: Disturbing BehaviorThe FacultyCan’t Hardly WaitBrainscan and Final Destination.

TV Review: The Defenders (2017- )

Original Run: August 18th, 2017 – current
Created by: Douglas Petrie, Marco Ramirez
Directed by: various
Written by: various
Based on: The Defenders by Roy Thomas, Daredevil by Stan Lee, Bill Everett, Jessica Jones by Brian Michael Bendis, Luke Cage by Archie Goodwin, George Tuska, Roy Thomas, John Romita Sr., Iron Fist by Roy Thomas, Gil Kane
Music by: John Paesano
Cast: Charlie Cox, Krysten Ritter, Mike Colter, Finn Jones, Eka Darville, Elden Henson, Jessica Henwick, Simone Missick, Ramón Rodríguez, Rachael Taylor, Deborah Ann Woll, Élodie Yung, Rosario Dawson, Scott Glenn, Sigourney Weaver

ABC Studios, Marvel, Goddard Textiles, Nine and a Half Fingers, Inc., Netflix, 8 Episodes (so far), 44-55 Minutes (per episode)

Review:

The Defenders is finally here. After years of development and four shows with a total of five full seasons before it, we now have the big team up miniseries for all of Netflix’s flagship Marvel heroes. But no Punisher. Boo on that!

While all the other shows have seasons of thirteen episodes, this miniseries only has eight, which kind of sucks. Reason being, everything in the second half of the series feels incredibly rushed. You see, these people don’t all meet until the third episode and then they spend the fourth episode talking about what they should do and aren’t really a team until the fifth and then its just a race to the finish. The pacing is just off and only being eight episodes hurts the overall narrative and quality of the show. I’m also not sure if this is just a one off or if they will team up again and again like the Avengers. Really, I’d rather they just have their own shows and occasionally crossover. Or better yet, a Heroes For Hire show would be absolute tits.

All the important players are here and it is actually quite cool seeing them come together but it also felt anticlimactic. It kind of suffers the same fate as the Avengers movies, in that there are so many people vying for a presence that it just becomes a bit of a mess. However, the giant ensemble is handled much better here than the Avengers team up films.

Also, the four styles of each hero’s shows blends really well together here. Especially in the early episodes where they are still working solo and the show edits between all their stories as they eventually converge. I actually liked these episodes the best, even though it had everyone still in their own smaller universes.

This show has some “shocking” twists and turns in it but none of them are all that shocking and the major one I really had to roll my eyes at. The plot was often times nonsensical and a mess. And ultimately, I really only cared about Jessica Jones’ role in this, as she showed just how much cooler she is than these other heroes.

Sure, I like the other heroes but on the flip side, I’m sick of The Hand, at this point, and they are the big bad evil once again. They are just a poor rehash of the League of Assassins (or Shadows) that has been a mainstay in Batman and Green Arrow stories forever. I know that The Hand has major ties to Daredevil and Iron Fist comics but I was never a big fan of their stories in the comics either. They’re just boring generic ninjas that aren’t associated with someone as cool as Ra’s al Ghul.

Additionally, the ending was awful. It was derivative comic book shit. It was a cheap attempt at trying to add weight to a situation when everyone knows that they won’t have the balls to actually follow through on it. It was an awful superhero cliche regurgitated for the umpteenth time.

Still, I did like The Defenders, overall. It could have been much better, should have been longer and maybe should have actually shown the Kingpin at his most villainous. But the Kingpin wasn’t in this, which was a massive missed opportunity to finally bring Vincent D’Onofrio’s criminal mastermind to the heights he deserves.

Also, on a side note: in just about every episode of every Netflix Marvel show, someone explains what’s happening and then someone else then says something like, “That’s crazy, you sound like an insane person!” Really? Because at this point, these characters live in a world where the Avengers exist, aliens have invaded New York City through a giant wormhole in the sky, evil robots have lifted a small European country into the atmosphere and then dropped it, Asgardian gods and dark elves randomly show up to do worldwide mystical shit, Doctor Strange and all that bizarreness should be fresh in everyone’s minds and the whole world knows about Inhumans and lives in fear of them. But yeah, a simple gang of ninjas and a living dead ex-girlfriend is insane.

TV Review: Daredevil (2015- )

Original Run: April 10th, 2015 – current
Created by: Drew Goddard
Directed by: various
Written by: various
Based on: Daredevil by Stan Lee, Bill Everett
Music by: John Paesano, Braden Kimball
Cast: Charlie Cox, Deborah Ann Woll, Elden Henson, Toby Leonard Moore, Vondie Curtis-Hall, Bob Gunton, Ayelet Zurer, Rosario Dawson, Vincent D’Onofrio, Jon Bernthal, Scott Glenn, Élodie Yung, Stephen Rider

ABC Studios, Marvel, DeKnight Productions, Goddard Textiles, Netflix, 26 Episodes (so far), 48-61 Minutes (per episode)

Review:

*written in 2015.

If you haven’t watched Daredevil at some point over the last week, you have been severely missing out.

Marvel, now teaming up with Netflix, has given hardcore old school comic book fans a television show that they deserve. Being that it is on Netflix and not ABC or some other network, Daredevil has a lot of creative freedom. It also isn’t catered to the younger viewer, which can often times be a pretty tedious and annoying factor in regards to Marvel’s other live-action outings. What we’ve got is something very close to the source material and as dark as the stellar Frank Miller stories were in the early 80s. What we don’t have is a two-plus hour toy commercial accented by Tony Stark witticisms. For the record, I like Tony Stark witticisms but this isn’t the place for them.

Now I am not going to completely fan boy out like most of the people praising this show. It isn’t perfect and could improve in various areas but it is one of the best Marvel adaptations of all-time.

The positives are pretty abundant though.

To start, the tone of the show is perfect. The lighting is amazing, as it conveys the same color palette as the comic book from its most iconic runs. The cast, for the most part, is perfect. And the evolution of Daredevil throughout the first season of this series is very well done. We don’t have a hero that immediately kicks ass and looks invincible. We have a normal guy who is generally a bad ass but still gets his head kicked in a lot. The show just feels more real and more organic than any other live-action comic book property ever has and that in and of itself is a great feat.

The show also benefits by the fact that it isn’t stuffed full of characters and villains. The only real major Daredevil villains that even appear are Wilson Fisk (a.k.a. the Kingpin) and Leland Owlsley (a.k.a. the Owl). Kudos on the producers for holding off on Bullseye, Typhoid Mary, Elektra, Mr. Fear and the rest.

Although, the amount of time focusing on the inevitable confrontation between Daredevil and Fisk is pretty drawn out. The pace of the show is a bit slow and lacking energy in areas. I feel like the bulk of everything important could have been covered in six-to-eight episodes. What we’ve got instead is thirteen episodes with too much filler material.

The one performance that I question is Vincent D’Onofrio’s portrayal of Wilson Fisk. It isn’t bad but there are times where his voice is odd and out of place. I get that the character is written as a sort of fucked up kid turned “kingpin” but at this stage of his life, he should be more sure of himself and confident in his abilities. And I am not saying that he isn’t confident but his bizarre tone just seems out of whack for what the character needs to be. The Kingpin is not some emo child in a fat suit, he is an exacting, ruthless and very motivated evil genius that isn’t intimidated by anything. Maybe that makes him one dimensional but I’d rather have a caricature of pure evil than what we have with this character on the show. Besides, the comic book version of Kingpin has been fleshed out so well over the years that there is a lot to work with without some new and unnecessary spin on the character.

Daredevil is fantastic though. It is worth your time and as an avid reader of Daredevil in the comics, I think that this show truly hits the mark. It can be improved upon but it is a step above everything else Marvel has done thus far.