Film Review: Godzilla vs. Gigan (1972)

Also known as: Chikyû kogeki meirei: Gojira tai Gaigan, lit. Earth Assault Order: Godzilla vs. Gigan (Japan), Extermination 2025 (France), Godzilla on Monster Island (US alternate title), Frankensteins Höllenbrut (Germany)
Release Date: March 12th, 1972 (Japan)
Directed by: Jun Fukuda
Written by: Takeshi Kimura, Shinichi Sekizawa
Music by: Akira Ifukube, Kunio Miyauchi
Cast: Hiroshi Ishikawa, Tomoko Umeda, Yuriko Hishimi, Minoru Takashima, Zan Fujita, Toshiaki Nishizawa, Kunio Murai

Toho, 81 Minutes

Review:

“Two monsters… One of them is Ghidorah. The other one is new. A completely new sound.” – Commander of Defense Forces

I’m just going to put it out there, this chapter in the Godzilla franchise is going to get a high rating from me. I know that it isn’t anywhere near the best that the franchise has to offer but it has always been a Godzilla film that I have loved and it features my two favorite Godzilla villains of all-time: the debuting Gigan and the always badass King Ghidorah.

Plus, this deals with an alien race of cockroach people that have a sinister plan that involves building a Godzilla branded theme park where their headquarters is actually a big building made to look like Godzilla himself. It’s crazy and bizarre and really encompasses all the things I love about ’70s Godzilla and Jun Fukuda’s run on the series.

On top of that, this teams Godzilla up with his oldest enemy, now ally, Anguirus.

This film is just incredibly bizarre but in a great way. Of course, you have to be a fan of kaiju movies and classic tokusatsu to truly embrace the madness but this really is a tokusatsu epic for its time. And ’70s Godzilla films almost feel like Ultraman episodes without Ultraman in them.

The weirdest thing about this picture is where Godzilla and Anguirus talk to each other. These bits work better in the original Japanese language version of the film. In the English dubbed version, which I grew up with, their voices are hilarious and it’s impossible not to laugh at it. It’s absurd but it’s enjoyably absurd and strangely enchanting.

I think I always connected to this chapter because the main character is a manga artist. When I was a kid, I was an aspiring comic book artist, so I always thought this part of the film was really cool. Plus, you get to see the inner workings of a manga company when this character makes his first appearance.

Another big plus about this film is that it has a ton of action. The big tag team battle royale seems to go on forever and it is actually a bloody affair, as Gigan literally has a buzzsaw for a stomach and the filmmakers had to emphasize the danger of that by cutting into the heroes.

Gigan is just a fantastic monster: one of the best kaiju ever created, hands down. He’s bizarre, deadly as hell and not a friggin’ pushover by any means. Granted, Gigan and King Ghidorah flee the scene like two little bitches at the end of the movie but the showdown between these beasts is incredible if you are a fan of classic kaiju battles.

I love this film. Always have. Always will. It’s not my favorite but it is the best from its decade.

Rating: 8.25/10
Pairs well with: Other Godzilla movies from the ’70s: Godzilla vs. MegalonGodzilla vs. Mechagodzilla, Terror of Mechagodzilla and Godzilla vs. Hedorah.

Ranking All the Kaiju of the Toho Godzilla Universe

The Godzilla universe spans seven decades, four different Japanese eras and two American remakes. In that long history, he has fought many deadly foes and had several awesome allies. However, the franchise expands beyond that as well, as some monsters that had their own films have crossed over into Godzilla movies, comics and video games. Toho has created a massive kaiju universe over the years and even if there are different eras and continuities, in some way, all these monsters exist in the same general realm.

So I feel the need to quantify these awesome giant beasts with a list. Because I like making lists and who the hell doesn’t like reading lists. Sure, our opinions may differ but that’s what the comments area is for. So feel free to list your favorites and discuss the results.

Also, I included the MUTOs from the American film for comparison’s sake.

How am I ranking these? Well, it is a combination of who is the most powerful, bad ass and the coolest. And of course, number one should not be a surprise.

1. Godzilla
2. Mothra Leo
3. Destoroyah
4. Monster X (Keizer Ghidorah)
5. Mecha-King Ghidorah
6. Biollante
7. Cretaceous King Ghidorah
8. Shin Godzilla
9. Fire Rodan
10. Gigan (Millennium)
11. King Ghidorah
12. Dagahra
13. Mechagodzilla (Showa)
14. Desghidorah
15. King Caesar
16. Mechagodzilla/Kiryu (Millennium)
17. King Kong
18. Mothra
19. Zone Fighter
20. Godzilla Junior
21. Gigan (Showa)
22. Rodan
23. Anguirus
24. Jet Jaguar
25. Mechani-Kong
26. Hedorah
27. Space Godzilla
28. Mechagodzilla (Heisei)
29. Gargantuan Sanda
30. Battra
31. Orga
32. Varan
33. Gargantuan Gaira
34. Megaguirus
35. MUTO (female)
36. Frankenstein
37. Megalon
38. Dogora
39. Gezora
40. Baragon
41. M.O.G.U.E.R.A. (Heisei)
42. Ebirah
43. Titanosaurus
44. MUTO (male)
45. Gabara
46. Moguera (Showa)
47. Manda
48. Kumonga
49. Ganimes
50. Gorosaurus
51. Kamoebas
52. Maguma
53. Kamacuras
54. Meganulon
55. Giant Octopus
56. Giant Sea Serpent
57. Minya
58. Giant Condor
59. Zilla

Film Review: Godzilla vs. Megalon (1973)

Also known as: Gojira tai Megaro (Japan), Godzilla 80 (France)
Release Date: March 17th, 1973 (Japan)
Directed by: Jun Fukuda
Written by: Takeshi Kimura, Shinichi Sekizawa, Jun Fukuda
Music by: Riichiro Manabe
Cast: Katsuhiko Sasaki, Hiroyuki Kawase, Yutaka Hayashi, Robert Dunham, Kotaro Tomita, Ulf Ootsuki, Gentaro Nakajima

Toho, 81 Minutes

Review:

“Get Godzilla! You’ll find him on Monster Island!” – Inventor Goro Ibuki

Godzilla vs. Megalon is the first Godzilla film that I ever owned. I remember buying a copy on VHS at Walmart in a discount bin for about $4 in the late 80s. While it wasn’t the first Godzilla film that I saw, it always held a special place in my heart, being that I bought it with my own money and that I watched it more than any other Godzilla film when I was a kid.

It was also cool seeing it riffed on Mystery Science Theater 3000, as only one of two Godzilla films to get that treatment. The other was Godzilla vs. The Sea Monster a.k.a. Ebirah, Horror of the Deep.

This is a Godzilla film that came later in the original Shōwa era run. It is often trashed by fans of classic Godzilla pictures but I actually quite enjoy it for the cast of monsters in it and for the extra helping of cheese. Who doesn’t like extra cheese? Apparently many Godzilla fans and critics are lactose intolerant.

The thing is, I discovered Godzilla movies when I was a young kid, so cheesiness wasn’t even an issue. Godzilla vs. Megalon really only works if you can just kick back, enjoy a tag team giant monster slugfest and laugh your ass off at some of the absurdity: like when Godzilla does his infamous tail slide maneuver.

The film not only gives us Godzilla and the new monster, Megalon, it also introduces the robot Jet Jaguar and brings back one of my all-time favorite Godzilla baddies, Gigan. Also, Jet Jaguar was created by a small child when Toho held a contest that allowed school children in Japan to submit ideas for characters. While he is obviously inspired by Ultraman and similar tokusatsu heroes that were ruling television, he is very much his own character and kind of cool. Besides, Godzilla had teamed up with Mothra and Rodan so many times that a new ally was needed to keep things fresh, thirteen films into the franchise.

At this point, Godzilla had fought alien threats so often that Toho changed things a little bit. Here, we see the world come under attack by a subterranean group called the Seatopians, who are a civilization that grew out of the survivors of an ancient continent that was swallowed by the ocean. The Seatopians control the beetle-like Megalon and send him to Earth to cause havoc, as the Seatopians are sick of how humanity treats the planet. Jet Jaguar gets involved, summons Godzilla and then the Seatopians call for reinforcements in the form of Gigan. What we end up with is a two-on-two tag team smackdown.

Godzilla vs. Megalon is a fun film with some great monster action. It also has a pretty good score even if it wasn’t done by Akira Ifukube and didn’t feature any traditional Godzilla tunes. The style of the film was pretty cool, especially the house that the scientist lived in where Jet Jaguar was built. Our heroes even drive a pretty sweet buggy and tangle with mafioso types from Seatopia.

This certainly is not the best Godzilla film ever made, far from it, but like almost every Godzilla picture, it entertains and is a positive experience. You can’t expect these films to be flawless epics with dazzling effects, at least not from this era.

Godzilla vs. Megalon is hokey kaiju fighting at its very best though. It excels with its silliness and by this point, these films were being made for kids. It works for kids. But it also works for adults who saw this as kids or who can just chill out, relax and appreciate this for what it is: mindless fun with giant monsters.

Film Review: Godzilla: Final Wars (2004)

Also known as: Gojira: Fainaru Wōzu (Japan)
Release Date: November 29th, 2004 (World Premiere)
Directed by: Ryuhei Kitamura
Written by: Isao Kiriyama, Wataru Mimura
Music by: Keith Emerson, Nobuhiko Morino, Daisuke Yano
Cast: Masahiro Matsuoka, Rei Kikukawa, Don Frye, Maki Mizuno, Kazuki Kitamura, Kane Kosugi, Jun Kunimura, Akira Takarada, Tsutomu Kitagawa

Toho, 125 Minutes

godzillafinalwarsReview:

Godzilla: Final Wars, which came out in 2004, was the last of the Godzilla films to come out of Japan (until 2016’s Shin Gojira). Additionally, it was made to commemorate the 50th anniversary of Godzilla. In doing so, the filmmakers at Toho decided to throw just about every monster they have ever created into this one movie. That being said, the word “epic” is a vast understatement to what this film was. Although, just so we’re clear, epic isn’t a synonym for “good”.

This film was at times glorious and at times hard to look at. The plot was recycled Godzilla shtick: alien race comes to Earth, alien race tricks people, alien race brainwashes monsters, alien race turns monsters against us, alien race makes monsters attack world capitals, Godzilla shows up, bigger mayhem ensues. Now I’m not knocking the formula because frankly, I don’t care that much about what the story is, as long as big monsters get to tear the crap out of each other for my enjoyment.

That being said, never has there been more kaiju violence in one place than in this film. Once Godzilla is reintroduced to us after his exile, he goes ape shit and runs through every monster like he’s playing Mortal Kombat III. Every second of Godzilla bad assery, I loved. It completely rectified any flaw that this film had and it went on for what seemed like forever. It was like a kaiju Royal Rumble match and Godzilla was that big unstoppable hero who drew number 30 – only to show up late to the party fresh and ready to crack every skull.

So what was wrong with the film? Well, in some instances, monsters were dudes in traditional rubber suits. In other instances, monsters were 100 percent CGI. The mixture of CGI vs. rubber monsters was odd and it just didn’t click. I’ve always been a fan of practical effects, although CGI doesn’t entirely irritate me. However, to mix the two so blatantly and so poorly kind of magnifies the flaws in both. Where effects should blend in and look real, having two differing styles together on the screen, at the same time, makes both styles look worse. I get that this was probably a cost-cutting measure due to the immensity and scope of this film but c’mon, the Godzilla franchise has made billions in fifty years. They could’ve fattened the budget a bit more or just cut out half of the unnecessary human versus alien special effects segments, which wouldn’t be horribly missed.

Speaking of which, the human parts of the film just felt like a really bad Underworld rip-off, which is itself a really bad Matrix rip-off. I liked how they structured the general plot but most of it was over-the-top and kind of tedious to watch. The only real highlight was the American general who looked like a thicker Tom Selleck with a generic American tough guy voice. He was certainly a caricature of what Japanese people see from a blockbuster bad ass American military leader but it worked. He was also played by MMA legend and pro-wrestling bad ass, Don Frye.

This isn’t what I’d call a good film or even close to being the best in the Godzilla mythos but it was supremely enjoyable and a bit of a gem in regards to the non-stop kaiju violence. In the end, I was more than satisfied.

Besides, if you love Godzilla, you aren’t going to let a few flaws ruin the movie.