Film Review: Sin City (2005)

Also known as: Frank Miller’s Sin City
Release Date: March 28th, 2005 (Mann National Theater premiere)
Directed by: Frank Miller, Robert Rodriguez, Quentin Tarantino
Written by: Frank Miller, Robert Rodriguez
Based on: Sin City by Frank Miller
Music by: John Debney, Graeme Revell, Robert Rodriguez
Cast: Jessica Alba, Benicio del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Bruce Willis, Elijah Wood, Alexis Bledel, Powers Boothe, Rosario Dawson, Michael Clarke Duncan, Carla Gugino, Josh Hartnett, Rutger Hauer, Jaime King, Michael Madsen, Nick Offerman, Marley Shelton, Nick Stahl, Tommy Flanagan, Devon Aoki, Rick Gomez, Frank Miller (cameo), Robert Rodriguez (cameo)

Troublemaker Studios, Dimension Films, Miramax, 124 Minutes, 147 Minutes (unrated recut)

Review:

“Most people think Marv is crazy. He just had the rotten luck of being born in the wrong century. He’d be right at home on some ancient battlefield swinging an axe into somebody’s face. Or in a Roman arena, taking his sword to other gladiators like him. They woulda tossed him girls like Nancy back then.” – Dwight

When Sin City came out, it was a bit of a phenomenon. Well, at least with fans of comic books and especially those who love the work of Frank Miller.

I haven’t watched this in a really long time and I wanted to revisit it after spending a lot of time delving into classic film-noir, which this picture takes some major visual cues from. Well, the original comic this was based on used a lot of noir visual flair, so it was only natural that this film adaptation followed suit.

As an overall cohesive story, the film doesn’t work that well. I get that it is a linked anthology with overlapping characters but it feels like it is just running all over the place. Frankly, this would work better as a television show where all of these characters could be better developed and jumping around with the narrative would just seem more organic.

This is still a cool movie with cool characters but sometimes they feel more like caricatures of pulp comic and noir archetypes. There isn’t really any time to get to know anyone beyond what’s on the immediate surface. Nancy and Hartigan are the only characters with any sort of meaningful backstory and even then, it is pretty skeletal and doesn’t have the meat it needs to really connect in an emotional way.

The film is highly stylized and while it looks cool, it almost works against it, as the grit and violence almost becomes too comic book-y. But this is supposed to be the comic stories coming to life and it represents that with its visual style. And I like the visual style but this is still a live action motion picture and it sort of forgets that.

I’m not saying it can’t have immense and incredible style but it needs to have a better balance between what would exist on a black and white comic book page and what works best for the medium of film. Being that this is the first film to sort of use this visual technique, I think people looked past its faults. I also think that once it was done here, the initial surprise and awe was gone, which is why no one cared much when the sequel came out and why the visual flare didn’t work to hide the faults of Frank Miller’s very similar film, The Spirit.

Additionally, sometimes the comic book elements seem very heavy handed and forced. The scene where Marv escapes the SWAT team may work in the comics but it felt bizarre and goofy in the movie. It would have been more effective if it was toned down and reworked, as opposed to Miller and Rodriguez trying to copy the comic panel by panel. This never works well, which was also why 2009’s The Watchmen had a lot of problems. Personally, I’d rather just stick to the comics if the filmmakers want to just recreate everything panel to shot.

Another problem with directly adapting comics is that the dialogue that works in one medium sometimes sounds terrible in another. Some lines when delivered on screen were cringe worthy moments. Still, I mostly liked everyone’s performance in this despite the sometimes questionable direction and script.

Sin City didn’t blow my mind like it did when I first saw it thirteen years ago. That’s fine. It is still pretty damn good and enjoyable but at first glance, way back in the day, I probably would have given this a nine out of ten rating. But at its core, it just isn’t that good of a film, even if it caused me to fanboy out in 2005.

Rating: 7.25/10
Pairs well with: Sin City: A Dame to Kill For and The Spirit.

Film Review: Machete Kills (2013)

Release Date: September 19th, 2013 (Austin Fantastic Fest)
Directed by: Robert Rodriguez
Written by: Robert Rodriguez, Marcel Rodriguez, Kyle Ward
Music by: Carl Thiel
Cast: Danny Trejo, Michelle Rodriguez, Sofía Vergara, Amber Heard, Lady Gaga, Antonio Banderas, Cuba Gooding Jr., Walton Goggins, William Sadler, Demián Bichir, Mel Gibson, Charlie Sheen, Jessica Alba, Vanessa Hudgens, Alexa Vega, Tom Savini, Elon Musk, Electra Avellan, Elise Avellan

Quick Draw Productions, Troublemaker Studios, Open Road Films, 108 Minutes

Review:

*written in 2013.

“Machete don’t tweet.” – Machete

I was a big fan of Machete when it came out. It kept alive the modern revival of grindhouse cinema, which was reintroduced to the world a few years back by the films Death Proof by Quentin Tarantino and Robert Rodriguez’s own Planet Terror. Both films were released together as a double bill feature called Grindhouse. Between the two films, there were a series of faux trailers for other grindhouse pictures. One of those was for a film named Machete. The fake trailer was so popular that Rodriguez decided to make the film. Once that was successful, he decided to make this film. There is also a third planned.

Machete Kills doesn’t hold a candle to the first Machete film. Don’t get me wrong, it was enjoyable and had some awesome moments but it was lacking in energy and in scope. It felt smaller and more linear, whereas the original film was a wild ride taking many different unexpected turns. This film went from point A to point B and then introduced us to a point C. Had it not been for the awesome performance by Mel Gibson as the main antagonist of this film, it would’ve fallen much flatter than it did.

The cinematic style of this movie, mirrored the first and for the most part, stayed somewhat true to the grindhouse vibe. The problem I have with these modern grindhouse films though, is the use of CGI effects. I get that it is more affordable and that these films have a tight budget but the whole essence of grindhouse films is over-the-top violence and action and often times gore. In the old grindhouse days, they had to find ways to pull this off with very limited resources. Part of what made those movies so effective and respectable, was the ingenuity of the filmmakers. This film, like its predecessor really lacks in this area. It takes the easy road and frankly, I expected more from Robert Rodriguez.

I do love that Danny Trejo finally has a starring vehicle though and I do look forward to the next sequel. I could watch new installments of Machete for years to come. He’s a great character and at the end of the day, despite the few issues mentioned above, these films exceed the standard blockbuster action fare that Hollywood keeps pumping out at $300+ million dollar price tags.