Film Review: Doctor Who: The Five Doctors (1983)

Release Date: November 23rd, 1983
Directed by: Peter Moffatt, John Nathan-Turner, Richard Martin, Pennant Roberts
Written by: Terrance Dicks, Terry Nation, Douglas Adams
Music by: Peter Howell
Cast: Peter Davison, Patrick Troughton, Jon Pertwee, Richard Hurndall, Tom Baker (cameo), William Hartnell (archive footage), Anthony Ainley, Janet Fielding, Mark Strickson, Carole Ann Ford, Nicholas Courtney, Elisabeth Sladen, Lalla Ward (cameo)

Australian Broadcasting Corporation (ABC), British Broadcasting Corporation (BBC), 90 Minutes (television), 102 Minutes (extended edition)

Review:

“A cosmos without the Doctor scarcely bears thinking about.” – The Master

While this was not a theatrical movie, it was a feature length special episode of Doctor Who and treated like a feature length production when it came out. It was created to celebrate the show’s twentieth anniversary and for only the second time in history, it teamed up multiple incarnations of the Doctor. This was also the biggest Doctor team up of all-time.

I want to treat all these feature length special episodes as films as opposed to just episodes mixed into the long running show. There are several of these and I want to review them separately, as their own bodies of work.

I was fortunate enough to see this one on the big screen, courtesy of RiffTrax. Now while it was a riffed version with hilarious commentary from some of the former cast members of the original Mystery Science Theater 3000, it was still an amazing experience seeing classic Doctor Who on a thirty foot screen. Especially a story that featured five Doctors.

While this isn’t particularly great as a film on its own, it fits beautifully within the Doctor Who mythos and is one of my favorite Doctor Who stories of all-time. Sure, it really only features three actual Doctors, as the First Doctor is not portrayed by William Hartnell, except in the intro as archive footage, and the Fourth Doctor really just has a brief one scene cameo and is really left out of the story. But all five of the Doctors are represented in some fashion.

The bulk of the acting duties falls on Davison (the Fifth), Pertwee (the Third), Troughton (the Second), Hurndall (as the new version of the First), Ainley (The Master), as well as some of the Doctor’s most famous companions: the Brigadier, Sarah Jane, Susan Foreman, Tegan and Turlough. Lalla Ward’s Romana II also cameos alongside Baker’s Fourth Doctor.

The story is a bit strange but that’s sort of the norm for old school Doctor Who, back in the days before the franchise had any female fans. But any excuse to bring multiple Doctors into an adventure, always works for me. Essentially, there is a big conspiracy and all the Doctors have to work together in order to save themselves. Each Doctor also has a companion from their runs as the character.

The special effects are on par with what was the standard for television show. It is low budget British television science fiction, so one has to sort of look passed the imperfections and hokiness and fill in the blanks with their imagination a bit. But this is always what I loved about classic Who. As a kid, it introduced cool concepts, with cheesy effects and it made my imagination run wild.

This story also features the Cybermen, a Dalek, the Time Lords and the super dangerous Raston Warrior Robot, who is a dude in a silver leotard and helmet that dances around, teleports and shoots spears.

The Five Doctors is far from perfect but it is a hell of a lot of fun for those who are fans of the original Doctor Who series, way before the 2005 revival. This is also my favorite of the multiple Doctor stories.

Film Review: Vampire Circus (1972)

Release Date: April 30th, 1972 (UK)
Directed by: Robert Young
Written by: Judson Kinberg, George Baxt, Wilbur Stark
Music by: David Whitaker
Cast: Adrienne Corri, Anthony Higgins, John Moulder-Brown, Lalla Ward, Robin Sachs, Lynne Frederick, David Prowse

Hammer Film Productions, Rank Film Distributors Ltd., 20th Century Fox, 87 Minutes

Review:

“The Circus of Nights! A hundred delights!” – Michael

Vampire Circus is a little known Hammer Studios film from the early 1970s, when they were on their way out as a dominant horror studio. It came out at the same time that Hammer’s Dracula series was winding down.

I have always liked Hammer’s non-Dracula vampire spectacles, however. And to fanboy out a little bit, Vampire Circus has always been a favorite of mine. That may have something to do with Darth Vader himself, David Prowse, being in the film, as well as one of my favorite Doctor Who companions of all-time, the second Romana, Lalla Ward. Realistically, I just love the premise.

The story is pretty original and really fun. A troupe of circus gypsies shows up in town and captivates the people. The reality is that they are vampires out to get revenge on the town for killing their master Count Mitterhaus.

Speaking of which, the opening sequence, which features the original defeat of Mitterhaus, is one of the best things Hammer has ever created. It was also a great way for director Robert Young to start his career, as it was the opening to his first feature film.

Vampire Circus is really imaginative and it certainly isn’t a cookie cutter vampire flick. The circus twist is really cool and freshened things up for the genre. Everything from the live performances to the animal stunts just added a really cool vibe to the picture. It certainly had a bit more flair than other Hammer vampire movies.

Additionally, the cast was really good. I really enjoyed the performances of Adrienne Corri and Anthony Higgins. Higgins was particularly mesmerizing as the sexy male vampire that transforms into a black panther. Skip Martin, as the sinister dwarf, was a big highlight too. He was legitimately scary and intimidating for a little fellow. He played up the creepy clown shtick quite well, before creepy clowns were even a thing.

The style of the film mimics what was the norm for Hammer’s gothic horror pictures. Even if it may have felt dated for the time, its creativity certainly makes up for it being stylistically derivative. Plus there is a naked body painted tiger lady that rolls around all frisky and seductive.

Vampire Circus is probably only a good film for those who love the work of Hammer Studios in their heyday. But if you are one of those people, this is a unique experience that deviates quite well from their typical formula while not venturing so far away that it isn’t a Hammer picture.

Plus, Count Mitterhaus, Emil and the Gypsy Woman were pretty cool villains, as was their troupe of circus themed henchmen.