Also known as: The Target (working title)
Release Date: April 25th, 1952 (Cincinnati premiere)
Directed by: Richard Fleischer
Written by: Earl Felton, Martin Goldsmith, Jack Leonard
Music by: uncredited stock music
Cast: Charles McGraw, Marie Windsor, Jacqueline White
RKO Radio Pictures, 71 Minutes
“[opening her compartment door in the morning and seeing Brown strap on his gun] What’re you gonna do, go out and shoot us some breakfast?” – Mrs. Neall
When talking about film-noir with others, The Narrow Margin has always been highly recommended as something worth watching. I finally got around to checking it out and it exceeded any expectations I had for it.
To start, it’s a short movie at just 71 minutes but that’s fairly common with classic noirs of the ’40s and ’50s. Also, it mostly all takes place in a confined space: the interior of a train.
The plot is about a cop that has to transport the wife of a mob boss on a train to the where she is going in an effort to testify against her vile husband. The cop must protect her from the possibility of mob hitmen who could be gunning for her. Well, they are gunning for her and they also try to bribe him into stepping out of their way.
This film is a real nail biter and incredibly suspenseful. It does a lot for its scant running time and it makes great use of its environment.
Frankly, this may be one of, if not the best, suspenseful train movie ever made. Everything feels cramped and the film even goes as far as including a fat character to make its point. The fat guy isn’t used in a disrespectful way but just to show that there isn’t a lot of room for moving around. Since this picture moves around in the confines of the train a lot, there had to be some natural roadblocks.
This is well shot, well directed, well executed and features maybe the best performance that Charles McGraw ever gave. He was stellar in this, as the cop trying his damnedest to protect himself and the woman he’s guarding while doing things by the book and not succumbing to the lucrative offers made by the mob.
I loved this movie and it is definitely something I’ll revisit again.
Pairs well with: Other film-noir pictures like On Dangerous Ground, Crossfire, The Set-Up and Angel Face.