Film Review: Hellhole (1985)

Also known as: Hell Hole (alternate spelling)
Release Date: April 26th, 1985
Directed by: Pierre De Moro
Written by: Aaron Butler (as Vincent Mongol), Lance Dickson, Mark Evan Schwartz
Music by: Jeff Sturges
Cast: Ray Sharkey, Judy Landers, Marjoe Gortner, Edy Williams, Mary Woronov, Terry Moore, Robert Z’Dar

Arkoff International Pictures, 90 Minutes

Review:

This is a film that I didn’t even know existed until recently. Somehow it evaded me in countless pillages of mom and pop video stores throughout the ’80s and ’90s. But it does have some people I like in it, so why not check it out?

The film sees a woman murdered by some crazed madman that looks like a middle aged punk rock mobster hybrid. Kind of hard to describe him but it’s the ’80s and this isn’t even a B-movie it’s more like a D-movie. Anyway, the woman’s daughter sees the murder, is then pursued and chased until she falls about ten feet and gets amnesia. She is then locked up in an insane asylum where they do crazy experiments that turn female patients into killer zombies. Also, the man that murdered her mother is there, working as an orderly.

In a lot of ways, this is an absolutely awful movie. However, it isn’t all a waste because it’s got some great character actors in it and frankly, it’s full of so much ’80s horror cheese that it should satisfy you, if that’s your thing.

The film has Mary Woronov, who was great in Death Race 2000Eating RaoulRock ‘n’ Roll High SchoolNight of the Comet and so many other B-movies. We also get Marjoe Gortner, who I enjoyed in Starcrash and as the villain in American Ninja 3: Blood Hunt. Then you have the “Maniac Cop” himself, Robert Z’Dar in an early role before he’d star in a slew of B-pictures, usually as a psycho killer… okay, always as a psycho killer. But he’s a guy with serious gravitas, a good presence and a chin that would make Bruce Campbell’s take a month off.

I’ll be honest though, there isn’t a whole lot here, apart from the cast, that is all that great. However, I was a bit surprised with how well it played out for what it is. At its core, it is a women in prison movie with a horror twist. There are boobs, lesbian stuff and whatnot. Sadly, there isn’t as much of it as you’d expect from this type of film. But hey, we get killer women prison zombies, so things balance out.

Hellhole isn’t a complete waste of time and it is only ninety minutes. If you didn’t get your fill of Woronov being a psycho in an operating room in Night of the Comet, then this should be up your alley.

Film Review: Night of the Comet (1984)

Release Date: November 16th, 1984
Directed by: Thom Eberhardt
Written by: Thom Eberhardt
Music by: David Richard Campbell
Cast: Robert Beltran, Catherine Mary Stewart, Kelli Maroney, Sharon Farrell, Mary Woronov, Geoffrey Lewis

Thomas Coleman and Michael Rosenblatt Productions, Film Development Fund, Atlantic Releasing Corporation, 95 Minutes

Review:

“Come on Hector, the MAC-10 submachine gun was practically designed for housewives.” – Regina Belmont

Catherine Mary Stewart had a massive year in 1984, between this picture and The Last Starfighter. Granted, this became more of a cult classic once it hit video store shelves unlike Starfighter, which did well in the theater and on video. In any event, Stewart was front and center in two great sci-fi films form that great year in cinema. I loved 1984 and its place in movie history and this picture is just one of many reasons why.

Night of the Comet also reunites Robert Beltran and Mary Woronov, who were two parts of the great trio from the cult classic comedy, Eating Raoul.

This is a zombie movie but it is also a teen comedy. Teen comedies were the best in the 1980s and the decade also gave us some real zombie classics. This was kind of like a perfect marriage of two genres that don’t traditionally go together. At least not back in 1984. In fact, this film would go on to inspire Joss Whedon in his creation of his most iconic character, Buffy Summers of Buffy the Vampire Slayer fame.

Catherine Mary Stewart and her onscreen sister, played by Kelli Maroney, were an awesome duo that kicked ass, carried machine guns and didn’t take any shit from anyone. Even when confronted by zombie stock boys in the mall, they never backed down. Granted, they got in over their heads, from time to time, but they survived to the end and even took out a crooked government agency in the process.

Robert Beltran was really good in this. He wasn’t the astute actor that he would become later but he was charismatic and kept the film moving forward in a lighthearted and witty way. I don’t think he gets enough credit for his contribution to this film, as most people love the two tough sisters that dominate the story.

This is a fun zombie movie and it shows a post-apocalyptic world as seen through the eyes of two teenage California girls. They compete for boys, go on shopping sprees and just want to have a good time even if 99 percent of the people around them have turned into red powder.

I love Night of the Comet. It has reached cult status but it still doesn’t get the overall recognition it deserves. It’s a film that is better than you’d expect it to be and there isn’t a whole lot one can pick apart.

Film Review: Eating Raoul (1982)

Release Date: March 24th, 1982
Directed by: Paul Bartel
Written by: Paul Bartel, Richard Blackburn
Music by: Arlon Ober
Cast: Paul Bartel, Mary Woronov, Robert Beltran, Susan Saiger, Ed Begley Jr., Buck Henry, Edie McClurg, Don Steele

Bartel Films Incorporated, Quartet, 20th Century Fox, 83 Minutes

Review:

“Why don’t you go to bed, honey? I’ll bag the Nazi and straighten up.” – Paul Bland

Eating Raoul is the film where the team of Paul Bartel and Mary Woronov really cemented itself. While Bartel had directed before, this is his first real effort without the involvement of Roger Corman.

The film is, more or less, a black comedy that pokes fun at a lot of the cultural things that made up the 1980s. The free love movement has run its course, greed is everywhere and everyone is pretty much self-absorbed and blinded by their own desires.

The film follows the prudish Blands (played by Paul Bartel and Mary Woronov). They are in serious financial trouble and are also continually harassed and repulsed by the swingers that seem to be everywhere in their Hollywood apartment complex. After murdering a swinger who was trying to rape Mrs. Bland, the two discover he is loaded. They then devise a scheme to knock off swingers and to take their cash. This gets them mixed up with Raoul (Robert Beltran), a shady locksmith. Raoul gives the Blands money for the “cadavers” and they all three scheme to get rich, as Raoul has his eyes on Mrs. Bland. We get a whole lot of hilarious insanity, a love triangle and a high society swingers party that makes up a fantastic finale.

Eating Raoul is a film that is a lot smarter than it initially appears to be. Bartel and Richard Blackburn wrote a stupendous script, which was only enhanced by the talents of Bartel, Woronov and Beltran on the screen. While the stars aren’t comic veterans, at this point, they have the timing and the presence of more experienced players.

Eating Raoul is a film that is greater than what one would assume is the sum of its parts in 1982. It was a small comedy that would’ve normally just come and gone and disappeared forever but somehow, the true talent of Bartel and Woronov comes through and this thing was a surprising hit and has thus achieved cult classic status. There is even a Criterion Collection version of the film.

Film Review: Rock ‘n’ Roll High School (1979)

Release Date: August 24th, 1979
Directed by: Allan Arkush
Written by: Richard Whitley, Russ Dvonch, Joseph McBride, Allan Arkush, Joe Dante
Music by: The Ramones
Cast: P.J. Soles, Dey Young, Vince Van Patten, Clint Howard, Mary Woronov, Paul Bartel, Dick Miller, Don Steele, The Ramones

New World Pictures, 93 Minutes

Review:

“Those Ramones are peculiar.” – Miss Togar

Roger Corman always liked to capitalize on whatever pop culture trends came along. Initially, he wanted to make a film called Disco High School. However, with the end of the film being capped off by the high school exploding behind dancing students, one of his collaborators said that the ending would fit much better with rock and roll. Corman agreed and after being pointed in the direction of punk rock legends The Ramones by Paul Bartel, a regular Corman collaborator, the rest is history.

Rock & Roll High School isn’t a good film but it is a ridiculous and fun motion picture that features the great tunes of The Ramones and the insane and infectious enthusiasm of its star, P.J. Soles.

The film also stars the always great Mary Woronov as the villainous principal and Paul Bartel as a music teacher that converts to a fan of The Ramones after getting doped up at a concert. We also get a good cameo by Dick Miller and get to enjoy a few scenes with the enigmatic and entertaining Don Steele. A young Clint Howard is also in this.

This movie is mostly a high school teen sex comedy with a heavy emphasis on The Ramones music. It isn’t quite a musical but it plays like one at times. The Ramones have a lengthy concert segment within the film but outside of that, we see P.J. Soles lead a group of girls singing in gym class, as well as the big finale which sees the students and The Ramones march through the school halls as they trash the place to the horror of the administration, their parents and the police outside.

Rock & Roll High School is highly entertaining but probably only for those who love the actors involved or who have a love for The Ramones. I’m not sure how it would resonate for others. It’s definitely a movie that is still well regarded by many because of its ties to punk music, Roger Corman, Joe Dante, Paul Bartel, Mary Woronov, P.J. Soles and because it has a massive nostalgia factor.