TV Review: Daredevil (2015- )

Original Run: April 10th, 2015 – current
Created by: Drew Goddard
Directed by: various
Written by: various
Music by: John Paesano, Braden Kimball
Cast: Charlie Cox, Deborah Ann Woll, Elden Henson, Toby Leonard Moore, Vondie Curtis-Hall, Bob Gunton, Ayelet Zurer, Rosario Dawson, Vincent D’Onofrio, Jon Bernthal, Élodie Yung, Stephen Rider

ABC Studios, Marvel, DeKnight Productions, Goddard Textiles, Netflix, 26 Episodes (so far), 48-61 Minutes (per episode)

Review:

*written in 2015.

If you haven’t watched Daredevil at some point over the last week, you have been severely missing out.

Marvel, now teaming up with Netflix, has given hardcore old school comic book fans a television show that they deserve. Being that it is on Netflix and not ABC or some other network, Daredevil has a lot of creative freedom. It also isn’t catered to the younger viewer, which can often times be a pretty tedious and annoying factor in regards to Marvel’s other live-action outings. What we’ve got is something very close to the source material and as dark as the stellar Frank Miller stories were in the early 80s. What we don’t have is a two-plus hour toy commercial accented by Tony Stark witticisms. For the record, I like Tony Stark witticisms but this isn’t the place for them.

Now I am not going to completely fan boy out like most of the people praising this show. It isn’t perfect and could improve in various areas but it is one of the best Marvel adaptations of all-time.

The positives are pretty abundant though.

To start, the tone of the show is perfect. The lighting is amazing, as it conveys the same color palette as the comic book from its most iconic runs. The cast, for the most part, is perfect. And the evolution of Daredevil throughout the first season of this series is very well done. We don’t have a hero that immediately kicks ass and looks invincible. We have a normal guy who is generally a bad ass but still gets his head kicked in a lot. The show just feels more real and more organic than any other live-action comic book property ever has and that in and of itself is a great feat.

The show also benefits by the fact that it isn’t stuffed full of characters and villains. The only real major Daredevil villains that even appear are Wilson Fisk (a.k.a. the Kingpin) and Leland Owlsley (a.k.a. the Owl). Kudos on the producers for holding off on Bullseye, Typhoid Mary, Elektra, Mr. Fear and the rest.

Although, the amount of time focusing on the inevitable confrontation between Daredevil and Fisk is pretty drawn out. The pace of the show is a bit slow and lacking energy in areas. I feel like the bulk of everything important could have been covered in six-to-eight episodes. What we’ve got instead is thirteen episodes with too much filler material.

The one performance that I question is Vincent D’Onofrio’s portrayal of Wilson Fisk. It isn’t bad but there are times where his voice is odd and out of place. I get that the character is written as a sort of fucked up kid turned “kingpin” but at this stage of his life, he should be more sure of himself and confident in his abilities. And I am not saying that he isn’t confident but his bizarre tone just seems out of whack for what the character needs to be. The Kingpin is not some emo child in a fat suit, he is an exacting, ruthless and very motivated evil genius that isn’t intimidated by anything. Maybe that makes him one dimensional but I’d rather have a caricature of pure evil than what we have with this character on the show. Besides, the comic book version of Kingpin has been fleshed out so well over the years that there is a lot to work with without some new and unnecessary spin on the character.

Daredevil is fantastic though. It is worth your time and as an avid reader of Daredevil in the comics, I think that this show truly hits the mark. It can be improved upon but it is a step above everything else Marvel has done thus far.

Comic Review: Spider-Man – Back In Black

This was a pretty good trade paperback and a pretty bad one, all at the same time. Let me explain.

Spider-Man’s Aunt May is hit by a sniper’s bullet meant for Spidey. The reason Spidey is being hunted is because a few months prior during the major Marvel event Civil War, Spider-Man publicly revealed his secret identity. Since then, he and his family have been in danger and the bullet hitting Aunt May is a culmination of that.

Spider-Man then falls to the dark side more or less, returns to wearing his black costume and thus brings the ruckus to the criminal underworld in an effort to discover who was behind the hit.

On his hunt, Spider-Man throws his personal code and morals out the window and basically becomes the Punisher with Spidey powers. Ultimately, his hunt leads him to the Kingpin, which results in an epic beat down of the Kingpin in front of his fellow inmates in prison.

That part of the plot was awesome but it was over pretty quickly. The tone was perfect, dark side Spidey was compelling and if you have ever been a fan of the character, it wasn’t hard to connect to his grief, emotion and quest for vengeance. Then the other 60 percent of the book ruined it.

For the remainder of Back In Black, Spider-Man acted like his old self while wearing black – cracking jokes, generally being a good lighthearted buddy to his friends. It was just odd how his behavior was, as the story was tied into his quest for vengeance and his total lack of anything other than hardcore justice.

Spidey spends the rest of the book helping Sandman clear his dad from a crime he didn’t commit. This leads to Spidey getting tied up with some new villainous chick made out of spiders, who just wants to get knocked up. It was a very poor rehash of that shitty 90s film Species. Frankly, this was all pointless and unnecessary to the overall tale and point of the Back In Black concept.

The trade paperback then ends with a story called Sandman: Year One, which is moderately interesting but has nothing to do with Back In Black and actually features Spider-Man in his red and blue outfit and not even in the black one. But whatever, the more random stories that Marvel throws in this thing, the more they can charge for it.

Additionally, throughout this book, Aunt May is in critical condition in the hospital. They follow this plot thread but then never reveal if she recovers or not.

If you ever do pick this thing up, read the first five chapters Back In Black 1-5, skip out on the rest of the book and save yourself some time. Unless you want to know why Betty Brant is afraid of toilets.