Film Review: Idle Hands (1999)

Release Date: April 30th, 1999
Directed by: Rodman Flender
Written by: Terri Hughes, Ron Milbauer
Music by: Graeme Revell
Cast: Devon Sawa, Seth Green, Elden Henson, Vivica A. Fox, Jessica Alba, Jack Noseworthy, Robert Englund (voice), Fred Willard, Connie Ray, Kelly Monaco, The Offspring

Licht/Mueller Film Corporation, Team Todd, TriStar Pictures, Columbia Pictures, 92 Minutes

Review:

“There is evil out there, and I’m gonna kick its ass!” – Debi

Idle Hands is a bizarre and fun movie.

It follows a stoner and his buds. The main stoner, played by Devon Sawa, who was a hot commodity circa 1999, has a possessed hand. His hand murders his parents very violently while he is asleep. The rest of the film sees him trying to control his hand, as it yanks him around like a rag doll while looking for more people to murder.

This isn’t a film that did well when it came out and critics weren’t kind to it. It is sort of a niche movie that found its audience once it hit video stores. I remember that it developed a cult following pretty quickly and when I was in my early twenties, this was on the TV at a lot of parties. And rightfully so, as it is unique, cool and has a certain charm to it.

I have always been a fan of horror, especially when it has a comedy element to it. This film has the right balance between its scares and its laughs. It is also pretty gory, which was still fairly normal in 1999 before the ’00s brought tame PG-13 horror.

Seth Green has played a lot of good characters, the best of them always seeming to be an extension of himself. Here, he plays maybe his best character as one of the stoner buds. After he dies, early in the film, he is basically a zombie pothead with a bottle lodged into his forehead. The other stoner, who walks around holding his decapitated head, was played by Elden Henson, who modern audiences will probably recognize as Foggy Nelson from the Daredevil series on Netflix.

Jessica Alba is also in this, as the apple of the stoner’s eye, and she’s never been more adorable. Most guys my age fell in love with her in the TV show Dark Angel but it was Idle Hands that got me crushin’ on her hard.

I also love that Fred Willard is in this, albeit briefly, as the father of Sawa’s character. He meets his violent demise pretty quickly in the film but Willard is enjoyable in everything. Here, he is a straitlaced dad that’s sick of his stoner son being a useless coach potato with no ambition.

This movie has really good style. I love the set design, the characters’ looks and the score is actually pretty damn good.

I love the opening theme by Graeme Revell, as it truly sets the tone of the picture. The rest of the film is accented by Revell’s score mixed with a lot of notable ’90s rock. The Offspring even play the school dance, where they cover The Ramones “I Wanna Be Sedated”.

Idle Hands is just a good time if you are into horror comedies with a good amount of gross out moments.

Rating: 6.75/10
Pairs well with: Disturbing BehaviorThe FacultyCan’t Hardly WaitBrainscan and Final Destination.

Film Review: Batman & Robin (1997)

Release Date: June 12th, 1997 (Los Angeles premiere)
Directed by: Joel Schumacher
Written by: Akiva Goldsman
Based on: Batman by Bob Kane, Bill Finger
Music by: Elliot Goldenthal
Cast: Arnold Schwarzenegger, George Clooney, Chris O’Donnell, Michael Gough, Pat Hingle, Uma Thurman, Alicia Silverstone, John Glover, Elle Macpherson, Vivica A. Fox, Jesse Ventura, Nicky Katt

Warner Bros., 125 Minutes

Review:

“If revenge is a dish best served cold, then put on your Sunday finest. It’s time to feast!” – Mr. Freeze

When I recently reviewed Batman Forever, I was really harsh on it. I also said that it is a worse movie than this one, which is considered one of the worst movies ever made. Watching these two films, back to back, after all these years, I still feel that way. This is the superior film of the two dreadful Joel Schumacher Batman pictures.

What makes this stand well above Batman Forever, for me, is the thing that most people like to trash about this picture: Arnold Schwarzenegger’s Mr. Freeze. Sorry, I just love puns and Mr. Freeze’s awful and cheesy puns still make me smile. Sure, I’d prefer a more serious Batman film than this festival of hokey camp but if Schumacher insists on destroying something I love, I can at least appreciate Schwarzenegger’s performance for what it is, a beacon of utter hilarity in a sea of horribleness. And really, Schwarzenegger’s Freeze is the best of the Schumacher Batman villains. The Riddler and Two-Face were just more insane versions of the Joker, Poison Ivy was terrible and Bane just made me want to cry.

Speaking of Ivy and Bane, this film’s other villains, one would have to be somewhat excited at the prospect of Uma Thurman playing Ivy. However, she gets completely Schumachered up and is a shell of the great character she should be. In fact, she’s not Poison Ivy at all, she’s a wacko scientist reborn as a plant that emulates over the top starlets of a bygone Hollywood era.

Now Bane, he’s even less Bane than Ivy is Ivy. In the comics, Bane is an intelligent and strong foil for Batman, a true equal with more strength and the advantage of not being bogged down by good guy morals. Here, he is a dumb hulking brute that spends more time dressed like Dick Tracy in a lucha libre mask than actually doing anything useful. Fuck Bane. Fuck Schumacher.

The film is also full of the Bat-nipples, Bat-butt and Bat-crotch shots made famous in Batman Forever but since they introduced Batgirl here, we also get a gratuitous Bat-boobies shot when she first throws on her costume. Schumacher likes his sexy Bat-bits being front and center in these more “family friendly” films.

We also get more of Elliot Goldenthal’s awful Batman theme except it is even louder and more unrelenting in this picture than it was in Batman Forever. It literally never stops. Sure, it may have the volume dropped a bit here and there but it is just two hours of violent horns blowing right up your ass. By the time you get to the final shot of the movie where Batman, Robin and Batgirl run towards the screen with the theme blaring louder than ever, you want to scream, “Oh my god! Fucking enough already!!!”

This film isn’t as ugly as Batman Forever but make no mistake, it is still really friggin’ ugly. It’s like some random person walked up to Joel Schumacher and asked, “How are your Batman films going to look?” And he realized he hadn’t thought about it yet but since he was buying black light posters for his niece at Spencer Gifts, he pointed to the poster rack and hissed, “Just like thiiiiiissssss!”

Other than Schwarzenegger trying his damnedest to be fun here, there is nothing in this film that is worthwhile. I could get into the lousy script, how George Clooney was like a fish out of water, the horrendous wire work in the action sequences and about 900 dozen other things but this movie is a massive failure. Still… not as bad as Batman Forever, which wasn’t even mildly fun or entertaining. Schwarzenegger saved this movie from itself, even if it still turned out worse than a sawdust enema.

So it should go without saying that this needs to be put through the trusty Cinespiria Shitometer. The results read, “Type 5 Stool: Soft blobs with clear-cut edges (passed easily).”